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Los Lonely Boys | Americana Roots

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The Farewell Drifters-My Favorite 2010 CD So Far If the year ended today my favorite cd of the year would be Yellow Tag Mondays, the national debut cd by The Farewell Drifters.  A couple of months ago I was lucky enough to be in Arlington Virginia...

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Rose's Pawn Shop - Dancing On The Gallows Blending genres of music has become much more common today, with mixed results. Why should we even attempt to categorize all music? Breaking free of these unnecessary habits and allowing the music to speak...

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YARN- Come On In One of the best young bands in the country is out with another new disc; it's a good day in the United States of Americana! Brooklyn's own YARN is releasing their third cd, Come On In.  This comes following...

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Andrew Combs Debut Release Titled Tennessee Time One look at 23 year old Andrew Combs’ musical influences will certainly open many eyes. He lists Guy Clark, Hank Williams, Willie Nelson, Harlan Howard, Hank Cochran, and Townes Van Zandt as among those...

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The Jayhawks Long Awaited CD Release It has been a somewhat slow early spring for music releases thus far, but that is about to change. For the first time on CD, the self-titled debut album from the highly-acclaimed, alt-country pioneers...

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Los Lonely Boys, Cottonfields and Crossroads

Category : Features

Life gets in the way. The phone rings. Someone needs hay. I decide to move a grain drill from Seguin to Belmont—the damn thing is sixteen feet wide and between road construction and too much traffic, the trip leaves me frazzled. I look at my watch and realize I barely have time to make it if I leave without changing clothes or cleaning up. Austin traffic on a Friday. Not just any Friday. SXSW. Gridlock. Find a parking space? Good luck. Takes more than luck. Seven bucks and knowing where to go. I don’t know. I arrive thirty minutes later than planned, dirty, ready to cut the next son-of-a-buck that gets in my way. The place is full of people. Two cowboy hats. One on my head, the other on the head of Enrique Garza Sr., the father of Los Lonely Boys. So maybe I’m not totally alone in this insane city. Then I see Hector. He gets me past the protectors of the gate. I take my seat. The movie comes on. For the next two hours I am lost in the world of Los Lonely Boys. Before it’s over I am washed clean. Afterwards, I go to a party and get to meet the patriarch of the Garza family. I had listened to the boy’s music and thought it OK, but never quite understanding why they were so popular. Now I know. Watch this movie and you will too. Catch them live and you’ll know. These guys are on fire. Their live performance incorporates power, skill, heart, soul, timing and spirit, uniquely their own. Henry Garza compares playing his music to making a tortilla. He takes a little Hendrix, a little Clapton, some Ritchie Valens, Stevie Ray Vaughn, some of the roots music his dad taught him, throws in his own secret ingredients and viola, Texican Rock and Roll emerges. But what sets this group far and above the rest is family. There’s a bond among these boys: love, respect, pride in their culture and their heritage, and a general sense that you’re in the presence of good honest American folk. That’s right. American. Best of the best we have to offer. These guys have roots. One of the mistakes people make when describing America is that Mexicans get left out of the equation. America wouldn’t be America without the contribution Latinos have made and continue to make to this land. The world of Americana music is not unlike the rest of the country, dominated by white males. It’s time to break down the barriers and let the raza in. There’s no way you can call your product roots music without recognizing all the various branches that make up this land and its history. (Note: On a recent trip to El Paso/Juarez I visited an old cathedral. Date of construction, and this is one big honkin’ building: 1600’s. About the same time some white guy was landing at Jamestown and settling (?) North America.) Enrique Garza Sr. fought like hell to be included in the world of country music, and while he was allowed to play in honkytonks, the large arena remained beyond his reach. Not too many rednecks were willing to consider some Mexican singing country songs. When his boys asked him how to handle this rejection he told them to take it easy and that when you play your music, they’ll understand. The boys listened and are still doing that to this day. Enrique Sr. didn’t fulfill his personal dream of being a name brand performer, but his sons are accomplishing the feat on his behalf. The studio CD has sold over two million copies. If I don’t miss my guess, they’re just getting warmed up. Their live performances are light-years better than the CD. Hector Galan was around to capture some of that along with the family history that makes this group what it is. Watch the movie when it comes your way. Parts will make you angry. Parts will make you laugh; other parts may make you cry. Before it’s over you’ll clap and cheer and emerge feeling cleansed of divisive hatred and racism that threatens to tear this country apart. I for one left feeling better about the land I know and love and proud to call Los Lonely Boys, mis hermanos. ——————– About the Author – Don Henry Ford, Jr. When Don’s not writing books he lends out his talent to Americana Roots to put together great articles like this. If you’ve enjoyed what you read, then pick up Don’s latest book Contrabando: Confessions of a Drug Smuggling Cowboy at your local bookstore or online at Cinco Puntos Press.

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