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Gregg Geil | Americana Roots - Part 3

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The Farewell Drifters-My Favorite 2010 CD So Far If the year ended today my favorite cd of the year would be Yellow Tag Mondays, the national debut cd by The Farewell Drifters.  A couple of months ago I was lucky enough to be in Arlington Virginia...

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Rose's Pawn Shop - Dancing On The Gallows Blending genres of music has become much more common today, with mixed results. Why should we even attempt to categorize all music? Breaking free of these unnecessary habits and allowing the music to speak...

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YARN- Come On In One of the best young bands in the country is out with another new disc; it's a good day in the United States of Americana! Brooklyn's own YARN is releasing their third cd, Come On In.  This comes following...

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Andrew Combs Debut Release Titled Tennessee Time One look at 23 year old Andrew Combs’ musical influences will certainly open many eyes. He lists Guy Clark, Hank Williams, Willie Nelson, Harlan Howard, Hank Cochran, and Townes Van Zandt as among those...

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The Jayhawks Long Awaited CD Release It has been a somewhat slow early spring for music releases thus far, but that is about to change. For the first time on CD, the self-titled debut album from the highly-acclaimed, alt-country pioneers...

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Nominees for AMA Honors and Awards Show Announced

Category : Blog

The Americana Music Association announced the nominees for the trade organization’s 2009 Honors and Awards ceremony today at its annual celebration at BMI Nashville. The show, in its eighth year, will be held Thursday, September 17 at the Ryman Auditorium in Nashville, Tennessee.

Legendary Mandolin virtuoso Sam Bush, joined by rising star Phoebe Hunt—member of the hot young band the Belleville Outfit—read the list of award candidates to a crowd of industry executives, artists and tastemakers.

Buddy Miller received five nominations in the six member-voted categories; Justin Townes Earle received three and Alejandro Escovedo, the Flatlanders and Australia’s Kasey Chambers and Shane Nicholson each received two nominations.

“These nominations reflect the vibrancy and diversity of the ever-growing popularity of Americana Music,” said Americana Executive Director Jed Hilly. “Our Honors & Awards show will again be filled with legends and the next generation of stars; it’s going to be a musical night to remember.”

Selected by members of the Americana Music Association, the 2009 nominees reflect the genre’s affection for innovative and inspiring artistry. The nominees’ eligibility is based on work released between June 1, 2008 and May 1, 2009.

The 2009 Americana Music Association Honors and Awards Nominees are:

ALBUM OF THE YEAR

Real Animal, by Alejandro Escovedo

Written in Chalk, by Buddy & Julie Miller

Jason Isbell & The 40 Unit, by Jason Isbell & The 40 Unit

Midnight At The Movies, by Justin Townes Earle

ARTIST OF THE YEAR

Alejandro Escovedo

Buddy Miller

Justin Townes Earle

Raul Malo

INSTRUMENTALIST OF THE YEAR

Buddy Miller

Gurf Morlix

Jerry Douglas

Sam Bush

NEW & EMERGING ARTIST

Band of Heathens

Belleville Outfit

Justin Townes Earle

Sarah Borges

SONG OF THE YEAR

“Chalk,” written by Julie Miller, performed by Buddy Miller & Patty Griffin

“Country Love” by the Gourds

“Homeland Refugee,” by Joe Ely, Jimmie Dale Gilmore, and Butch Hancock, performed by the Flatlanders

“Rattlin’ Bones” by Kasey Chambers & Shane Nicholson, performed by Kasey Chambers & Shane Nicholson

“Sex And Gasoline,” by Rodney Crowell, performed by Rodney Crowell

DUO GROUP OF THE YEAR

Buddy & Julie Miller

Flatlanders

Kasey Chambers & Shane Nicholson

Reckless Kelly

“The artists housed under the Americana umbrella create today’s most critically acclaimed, socially relevant and culturally profound music,” said AMA executive director Jed Hilly. “The nominees represent the elite of the elite, and we are proud to work with and for such provocative creators.”

The winners will be announced September 17 at the historic Ryman Auditorium during the 8th Annual Americana Music Association’s Honors and Awards Show. Hosted by Jim Lauderdale and featuring a band led by Buddy Miller, the Honors & Awards ceremony will also recognize Lifetime Achievements and awards in Performance, Songwriting and the unique Spirit of Americana Award honoring Free Speech in Music. Additional honorees and performers will be announced in the coming months.

Slated for Wednesday, September 16 through Saturday, September 19, the 10th Annual Americana Festival and Conference will offer daily seminars, panels and networking opportunities at the Nashville Convention Center. Each evening brings more than 80 stacked Americana showcases to key venues throughout Nashville. Approximately 1,000 industry professionals attended the 2008 conference and more than 12,000 fans experienced the Festival’s musical events.

A limited number of Americana Honors and Awards pre-sale tickets costing $55 are now available through the Americana online store (www.americanamusic.org) or by calling the office 615.386.6936. Wristbands for admission to all four evenings of live music now available now for $45 via www.americanamusic.org. Full Conference registrations include access to all panels and presentations, the trade show, select meals, invitations to all sanctioned parties, a ticket to the Honors & Awards ceremony and priority admission to the evening performances. Registration is currently $300 for AMA members and $400 for non-members, a savings of $150 off the walk up price.

The Renaissance Hotel is the official hotel of the Americana Music Conference. Conference registrants may receive a discounted room rate by clicking here and entering the special discount code: amaamaa.

Major sponsors include BMI, First Amendment Center, GIBSON, The Gibson Foundation and SESAC.

About the Americana Music Association

The Americana Music Association is a professional trade organization whose mission is to provide a forum for the advocacy of Americana music and to promote public awareness of the genre to support the creative and economic viability of professionals in this field. Dedicated to building and promoting the Americana genre and the individuals who participate in that industry, the Americana Music Association works closely with artists, labels, radio stations, retailers, print media, festivals, agents, publishers and more to help organize and build the infrastructure necessary for the Americana genre to achieve success both creatively and financially.

National Coverage – MSO: Mitch Schneider, Todd Brodginski and Lyndie Wenner

mschneider@msopr.com

toddb@msopr.com

lwenner@msopr.com

Festival and Conference – Jayne Rogovin-The Jayne Gang

jrogovin@bellsouth.net

###

Sarah Luery
MSO
14724 Ventura Blvd #710
Sherman Oaks, CA 91403
818.380.0400 x241

818.380.0430 fax
sluery@msopr.com
www.msopr.com

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American Voices Tour – Drew Kennedy & Rodney Hayden

Category : Blog

I had the chance last night to catch one of the many tour stops for the American Voices Tour. This rolling duo show is centered around the music of two very talented Texas singer/songwriters: Drew Kennedy and Rodney Hayden. The show is presented by our good friends over at The9513.com and has taken Drew & Rodney across America over the past few months. These two talented musicians provided a perfect blend of straight up country (Rodney) mixed in with some Americana (Drew). This duo has great chemistry up on stage backing each other with harmonies while providing an endless supply of back line stories for the songs which makes for a humorous and entertaining night of music.

Drew Kennedy
- I first caught Drew’s live show two years ago out at our SXSW showcase in Austin and was blown away with is ranging voice coupled with his great stories on life. His current release “Dollar Theatre Movie” did well on the Texas charts and rumor has it he will have a new CD out in the next few months.

Rodney Hayden – This was my first time to see Rodney live and was amazed with his vocal range and catchy tunes. My favorites of the night included Silverado Boys which is a dramatic story bound song as well as Huntsville. Rodney had a few good trials and tribulations type stories on his experience with Nashville (he has since moved back to Texas). In addition, I noticed on Rodney’s bio that he has done quite a bit of work with some of my favorite players including Bill Whitbeck and Rich Brotherton both of which are from the Robert Earl Keen family of musicians.

I would highly recommend checking out this American Voices Tour if it rolls into your town. For their upcoming dates including a tour over in Europe, you can visit the New American Voices website.

Americana Rock Mix – Ryan Adams Live pt 1

Category : Americana Rock Mix, Podcasts

The is the first set in a two set show. The second set will be up in two weeks.

Ryan Adams And The Cardinals
November 8, 2008
Ambassador Theatre
Dublin, Ireland

Download the episode HERE

- Cobwebs
- Everybody Knows
- Born Into a Light
- Please Do Not Let Me Go
- Fix It
- Natural Ghost
- Goodnight Rose
- Off Broadway
- Wonderwall (Oasis)
- I Taught Myself How To Grow Old
- The Sun Also Sets
- Come Pick Me Up
- Grand Island (Neal Casal)

Ryan Adams – Vocals / Guitar / Piano
Neal Casal – Guitar / Piano / Vocals
Chris Feinstein – Bass / Background Vocals
Jon Graboff – Pedal Steel / Guitar / Background Vocals
Brad Pemberton – Drums / Background Vocals

E-Mail: Von@AmericanaRoots.com
Twitter: www.Twitter.com/ARockMix

Billy Bob Thornton Redux

Category : Blog

With all the hoopla around Billy Bob Thornton’s crazy interview this past week, I thought I’d repost an interview I did with Billy Bob a few years ago out in Nashville and give my 2 cents on the man and his music. I had the chance to interview Thornton back in 2005 out at the Americana Music Awards. He just released the CD “Hobo” on the NYC based Hyena Records (Seth James, Grayson Capps). The walk up to Thorton’s hotel room was intense as his 180px-billybobthorntonlabel guy (now a good friend, Kevin) spent five minutes briefing me on what not to talk about including Angelina, vials of blood and acting. By the time I got to his room, I was pretty much dazed and confused on what I could talk about. Anyway, I met Billy Bob who warmly introduced himself and invited us to sit down for a chat. We had a very enjoyable chat for around 45 minutes about all kinds of interesting topics outside of (vials of blood, Angelina and acting). Keep in mind, Thornton is an Oscar winner, but I felt a real sincerity in his passion for music and life. He said point blank, yeah I have a acting career but his passion was music. He mentioned several times that his enjoyment in life came from hanging out with musicians over anything having to do with Hollywood. I believe the guy. At the time, he had just purchased Slash’s (Guns and Roses) house in California specifically because it had an elaborate music studio which is where he spent most of his time at home. The guy had a deep history of music which brought out some great stories of his work with Warren Zevon. In addition, he was stead fast on the concept of Americana Music even stating that he’d be happy with 50,000 CD sales that if he sold 5 million CD’s he must have some shitty songs. So while this CBC interview in Canada is going viral, in the back of my mind I do believe Billy Bob is in it for the music however as the interviewer points out there should be nothing wrong with talking about the career of Thornton including his acting career. Thornton is versed enough to know that his acting career will always overshadow what he’s trying to accomplish in music, thus his reasoning for not wanting to talk about it.

Anyway, we wrapped up the interview off the microphone with a 20 minute chat on Austin and his love for the UT Longhorns Softball team (of which he could name all the players). In summary, there was no doubt that Billy Bob Thornton has the utmost passion for his work in music. Two years ago he launched a new band called The Boxmasters which I thought really channels in his style of music. While I’m 95% sure that this interview he did was an attempt to gain some attention there is a part of me that says when it comes to music, this guy really wants to be known for his music over his acting. He can’t go anywhere without his acting overshadowing his music, which at times must be pretty frustrating. However, if this is some attempt to clone Joaquin Phoenix interview style, I dig it… The weirder, the better in my opinion.

Here’s my interview in MP3 form. If you like this show, please consider subscribing to our free podcast channel here on AmericanaRoots.com.
Americana Roots Interview Billy Bob Thornton

Billy Bob Thornton’s strange interview this past week:

Welcome Von to AmericanaRoots.com

Category : Blog

I am thrilled to announce, Von, as our newest staff contributor here on AmericanaRoots.com. I ran across Von’s podcast series known as the Americana Rock Mix a few weeks ago and really enjoyed Von and the great format of the show. I asked Von to become a part of our crew of contributors and he thankfully accepted the invitation.

As the title of his show implies, Von focuses on the Americana Rock side of the fence which is the particular sound I dig quite a bit. Over the past five years, we have somehow managed to find a core group of people to contribute to this community on a weekly basis. Our group (Eric, Ray, Don, John, Von, Don Henry) all share a passion for getting the word out on this great music scene. I asked Von to summarize how and why he got involved with the Americana Music scene and his podcast show. My sincere thanks to Von for adding one more element to this community as we strive to grow our reach and expose some great new Americana music.

AmericanaRoots.com would like to welcome our newest podcast contributer, Von, and his show the Americana Rock Mix.I’ve been in bands for the better part of 15 years, but in between bands, there’s often a down time when you have to play grown-up. And in that down time I would often miss talking about and listening to music with friends. Then I saw my loophole… podcasting. There’s nothing more fun for me than sharing music with other people who are willing to listen to it. But I didn’t want to play a typical rock show with no real agenda to it. So I looked at what my favorite bands were, and what they had in common. They were all playing some extension of “Americana” based music. And that’s where the show came from. Also, I’m always rooting for the underdog, and Americana music doesn’t get the recognition that it deserves. So, this is my small part in helping to spread the word about fantastic music.

-Von

We want to invite you to become a subscriber of our Americana Roots Podcast channel which features the following shows Americana Rock Mix, The Americana Spotlight, The Roundtable and Americana Roots Review. To subscribe to the Americana Rock Mix podcast shows, click here.

Americana Chart In Review – March 30th

Category : Blog

Each week, the 75+ chart reporting Americana Music Association radio stations submit their playlist for the previous week. This chart, which is available on the AmericanaRadio.org website, is a compass if you will of Americana. For the past 3 weeks, Buddy & Julie Miller, have held onto the #1 slot with their new release “Written In Chalk”. In addition, there were a number of new adds this week which can be a measure to highly anticipated new releases coming out.

Buddy & Julie Miller
Top 10 of 3/30/2009
1.) Buddy & Julie Miller – Written in Chalk
2.) Willie Nelson & Asleep At the Wheel – Willie and the Wheel
3.) J.J. Cale – Roll On
4.) Justin Townes Earle – Midnight at the Movies
5.) The Gourds – HayMaker!
6.) Gurf Morlix – Last Exit To Happyland
7.) Ruthie Foster – The Truth According To Ruthie Foster
8.) Neko Case – Middle Cyclone
9.) Raul Malo – Lucky One
10.) Jason Isbell and the 400LB Unit – Self Titled

Top New Album Adds For This Week
1.) Slaid Cleaves – Everything You Love Will Be Taken Away
2.) The Greencards – Fascination
3.) The Flatlanders – Hills And Valleys
3.) Doug Sahm Tribute – Keep Your Soul: A Tribute To Doug Sahm
5.) Sarah Watkins – Sara Watkins

Chris Knight – The Live Experience

Category : Live Shows, Reviews

I am a relatively new convert in the ways of singer/songwriter Chris Knight. I was turned on to his music only a few years ago by Eric Banister (our editor) and Ray Randall (our podcast guru). It took me a few spins to get accustomed to Knight’s vocals and presentation of songs but make no mistake I’m a huge fan now days. If you are unfamiliar with Knight, he was born in a mining town known as Slaughters, Kentucky. He released his self-titled debut album when he was 38. Chris KnightSince then, Knight was released five more albums which include songs that have been picked up by some of the bigger names in Country music: John Anderson, Blake Shelton, The Great Divide, The Road Hammers, Montgomery Gentry and the Confederate Railroad.

This past Friday, I had the opportunity to catch his live show in San Antonio. This was my first full live Knight show (I did catch a small set at the Mercy Lounge in Nashville a few years ago). Chris packed the venue (Sam’s Burger Joint) which is often hard to do in my hometown (unfortunately). My first note of interest was how diverse the crowd was mixed with half college / half elderly (> 30). In San Antonio, radio is a bitch around here. We have a Clear Channel station known as the Outlaw which covers the Southern half of San Antonio mixed in with KNBT (New Braunfels) which covers the North side of San Antonio coupled with a KSYM (Third Coast Music) which is a part time Americana/Texas station. The point is, Chris Knight, doesn’t get the mainstream attention which I am guessing is something he is accustomed too around the entire USA. To pack a place in like Sam’s, is no easy feat so it was my surprised to see so many fans singing along to his entire catalog of songs most of the night.

The crowd was into it and Chris Knight seemed pretty impressed by that fact encouraging folks that they would be back and to bring out more friends. Chris rarely shows much emotion up on stage as he’s widely noted for his shyness up under the big lights but he did share a few laughs with the audience. His set list included starting off the night with a few cuts from his latest album followed by a barrage of his hits. This is what impressed me the most though. I had little idea how deep his full catalog of music was in terms of popular songs until he played through 1.5 hours of all of my own personal favorites which include: It Ain’t Easy Being Me, Down The River, Rural Route, Dirt, Cry Lonely, Jack Blue, A Pretty Good Guy, Becky’s Bible, Enough Rope, Framed, Oil Patch Town. Chris is an amazing songwriter coupled with a brilliant way of presenting character based stories (often in first person). It is extremely hard not to believe this guy hasn’t done half of the things he sings about as he is able to deliver the story perfectly through song. Eric Banister interviewed Christ Knight a few months ago and asked him if it is ever a problem of people associating you and the characters in a song a little too closely. To which Chris replied “It’s not really a problem. Some people tend to believe that I’ve done everything in my songs. I don’t care, let ‘em believe.”

Chris KnightIn summary, this was a fantastic live show. I would highly recommend catching Chris live either via the full band or solo. Each type is different in its own right but neither disappoint in carrying the story through. Chris Knight is and should continue to be featured as one of the key players on the Americana Music scene. He is the definition of singer/songwriter and does it with raw musical genius minus all the glitz and glam.

For The Musicians: Managing Your Online Tour Dates

Category : Blog

One of my new year’s resolutions for 2009 was to kick out a few blogs / podcasts over the year which will focus on how musicians can succeed in this ever changing industry. The music industry is in a rampant state of flux with the ongoing demise of record labels coupled with CD retailers closing faster than Willie Nelson can release albums. All of this commotion has led to musicians into the great big blue sea known as the Internet. This new technological ocean is filled with opportunities however understanding these opportunities’ is more than a full time job. While I can’t do your work for you, I have a lot of opinions on technology and how it relates to music. Although, take my advice with a grain of salt however it’s probably better than any financial advice you’d get now days but still… the world of music is in Ludacris Speed and trends change fast.

Before I dive into ArtistData.com, let me just state my strong opinion on the #1 key to success as a band. Sure music is important, beautiful CD artwork is nice but at the end of the day the most important piece of information you can provide is when and where you’re playing a gig. Sounds simple right? Every time you play a gig, you are slowly building up you’re Fan-dom mountain as you capture new fans. Your Fan-dom Mountain is painfully slow to build, but it does build and the key to this growth is around how you get the word out about new shows. Building a connection to your fans is critical and when and how you announce your tour dates leads me to my discussion today around the very cool ArtistData.com website.

artistdata_21
Many years ago, prior to AmericanaRoots.com, I had an idea which turned into a massive project. The idea was around centralizing tour dates so that you post your event once and it automatically shows up where ever you want it to. This idea was turned into TOURdatabase.com. It was a revolutionary idea (so I thought) but conveying its purpose to musicians was a little more challenging than I thought it would be. We had about 80 bands on the service however after my shift into AmericanaRoots.com, I decided to kill TOURdatabase.com. A year ago, I stumbled upon ArtistData.com which answers many of the same problems I was trying to back in 2003 however these guys do it much better! ArtistData.com is a full featured and wonderfully presented tool for musicians to manage their tour dates. These guys took posting tour dates online to a whole new level. Their tool is simple to use and amazingly powerful. The premise is you login to your band account on ArtistData.com and post your event. In the background, ArtistData.com will not only deliver your event to your website instantly but it also pushes it out to all of the major social media and calendar sites like: Facebook, Twitter, ReverbNation, Eventful, BandsInTown, PureVolume, Jambase and a handful of others. You enter the tour date once, it broadcasts it out to all of these sites in one click. It’s riducously simple but is key to building your band’s online presence.

For the time being, I believe ArtistData.com is free to use but will eventually turn into some type of pay model.

artistdate_1

Shooter Jennings Greatest Hits — Really?

Category : Blog

9499245-9499248-slarge-1Forgive my rant but… I received an e-mail yesterday announcing the release of Shooter Jennings’ new Greatest Hit album entitled “Black Magik: the Best of Shooter Jennings and the .357’s“. I first thought this was some kind of joke but sure enough the e-mail contained a full bio and link to iTunes. First off, you can’t technically release a greatest hits album when you only have three full studio albums. Sure there isn’t a written rule but come on, really? The whole premise of greatest hits assumes hits over the span on decades, not four years. I enjoyed Shooter’s debut album “Put the O back in country” but everything since has been a disappointment for my tastes however in the new world of music, greatest hits mean nothing anymore. It is way to easy to pick your own personal greatest hits yourself. I’ll chalk this up as a marketing tactic to sell albums on as he joins the Warped Tour shows this summer. Thoughts?

SXSW – Thursday

Category : Blog

Given my previous history with SXSW, Thursday is built for the Americana Music Association showcase at Antone’s. This year had a ton of hype in the local press since they were doing a tribute to the great Doug Sahm. We landed over at Antone’s about 45 minutes ahead of the start time to ensure we could get in. I never pick up wristbands/badges for SXSW since I’ve never had an issue getting into shows. This year was a bit different! The line for un-badged people wrapped around the building. The way it works at SXSW is if you have a badge, you get priority over everyone else. We made it to the front door as they told us “We’re at capacity” and keep in mind this is 15 minutes before the first band even came on stage. We got in the doors about 30-45 minutes later, so it wasn’t a big issue.

As far as the show goes, this night was amazing. The Doug Sahm tribute lived up to the hype! The show featured artists like Jimmie Vaughn, Sarah Borges, Dave Alvin as well as the Texas Tornadoes playing for a full hour. The stage was led by Doug Sahm’s son, Shaun Saum. Out of all these artists, I’d have to say Sarah Borges knocked it out of the park with her two covers of Doug’s work. The Texas Tornadoes lit the stage up as well with a full cast of amazing musicians including Augie Meyers and Flaco Jimenz!!! That was a real treat. They mentioned they would be doing some tours later this year, so keep an eye out.

At 10PM, the official SXSW showcase started up with Carrie Rodriguez taking stage. I’ve been on the record since the start of how much I dig Carrie although over the years have felt she never transformed her energy of her first album to her live show. That all changed with this show. Carrie was on a mission and brought energy coupled with some damn fine musicians. I’m not much on fashion but Carrie looked great ;-)

At 11PM, Justin Townes Earle took the stage. Originally this slot was for Buddy Miller however for obvious reasons he didn’t make it down to Austin this year. Justin Townes took the stage with his sideman Corey (I think that’s his name?) and put on my favorite set of the night. These two commanded the stage and Justin has come into his own with such a unique style that harps back to the original Hank Williams. I can’t get enough of this sound and Justin’s humor really ties the performance together.

At Midnight, Raul Malo took the stage fresh off his Jay Leno performance last week. Let me preface this with the fact that I was a huge Mavericks fan. The past few years, I’ve seen Raul dress up in suits and belt out slow songs with his wonderful voice. The slow stuff is what I can never get into but luckily this show. Luckily, Raul obviously heard me :-) This show was upbeat and a lot of fun to be a part of. He played a few Mavericks songs along with some tunes off his new album “Lucky One” which is just my style. The whole vibe had a pulp fiction feel to it with all the ladies dancing which was pretty cool.

At 1AM, my boys The Band of Heathens, took the stage. This group of guys have worked so hard over the past few years and deserved to close out this tremendous night of music. The guys were dead on with their tremendous harmonies and full sound. It was the first time I’ve seen them with a dedicated organ/keyboard player which enhanced the sound even more than it already is. The Band of Heathens took “Best Band of the Year” last year at SXSW and have played our past three AmericanaRoots.com showcases. Obviously, I’m a huge fan of these guys and have yet to see a show that disappoints.

Overall, another stellar night at South By Southwest although tonight we will top it with our Friday night AmericanaRoots.com/Galleywinter.com showcase at Waterloo Ice House :-) I am so ready for our show which includes Two Tons of Steel, The Doc Marshalls, Jason Eady, Scott Miller, Wrinkle Neck Mules, Modern Day Drifters and the Josh Grider Trio. Come on out and enjoy some great music!! It’s free and they have a great beer garden setup out front.

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