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2009 August | Americana Roots

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Drew Kennedy - Alone, But Not Lonely (Live) (Free Download) There is something warm and soothing about live acoustic music. It allows the singer to paint a picture with his lyrics with amazing clarity and passion. When you combine well written lyrics along with...

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Tom Savage Trio- The County Line Kingston, Ontario's Tom Savage fourth studio album called The County Line recently founds its way to my ears.  Even though it is a 2008 release it deserves your attention if you haven't heard it. ...

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Marley's Ghost - Ghost Town Ever ask yourself what has happened to real music as you search your radio dial….looking for anything that sounds appealing? The music is still out there, you just need to look in the right places. Some...

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Jeremy Porter - Party of One After listening to “Party of One,” Jeremy Porter’s debut solo CD, it’s easy to see what makes Americana music a deeper listen than pure Pop. Both genres share the synthesis of multiple source genres,...

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Drunk On Crutches - People.Places.Things. Have you ever decided to listen to new CD, not knowing what to expect? Sure you have. And when the first song starts, you are not only surprised, but ready to hear what’s next? Well, that’s what happened...

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Americana Roots Review #78

Category : Americana Roots Review, Podcasts

This week on Ray Randall’s podcast you can hear great new music from Americana artists Chris Knight, Greg Koons and the Misbegotten, Amanda Shires, Ed Hale and Dave Alvin and the Guilty Women.

Two Tons of Steel- Not That Lucky

Category : Blog, Music

twotons1 In a way you could say that AmericanaRoots.com was built with Two Tons of Steel.  This band was a major influence in the formation of our site. Now the San Antonio outfit has released their latest studio disc Not That Lucky.   This great new disc clearly showcases the immense talents of this band. Kevin Geil delivers some solid tunes, penning most of the tunes on the disc.  He is backed by bandmates Dennis Fallon, guitar; Chris Dodds, drums; Chris Rhoades, electric and upright bass and Denny Mathis on steel.  Lloyd Maines produced the disc and adds guitar on 4 of the tunes. Tom Gillam contributes one of the standout tunes Bottom of the Bottle and adds some vocals on the track.

The opener is Cryin Eyes. While there is a lot of Americana music that really doesn’t call for it, I think there are bass players who should play upright bass but don’t want the hassle of dragging it around to gigs.  Chris Rhoades clearly shows on this cut why the extra trouble is worth it.  His twangy (upright) bass lines really drive this tune and give it a true honky-tonk feeling that would be totally lost with electric bass.  I’ve seen these guys live and the upright really adds to the sound and visuals of their live show as well.

The next tune Long Road to Heaven is my top Americana cut of the year so far. Kevin Geil tells the story of a woman escaping a bad situation:
Empty bottles on the bedroom floor show her fragile state of mind
When you pass the point of no return you’ve got to leave it all behind
She left with the wind in her hair and the Stones on the radio
Hit the gas and with a rebel yell
Its a long road to heaven on the highway to hell

twtons2

The title tune Not That Lucky is an aging musicians lament of how it “used to be”.  Fortunately for Two Tons some things haven’t changed. Its good to see that this longtime  Americana band is still at the top of their game, delivering perhaps the finest studio disc of their careers.  While they may be Not That Lucky, their fans sure are with this one!

Mike Farris Alert!!

Category : Blog

presskit_mikefarris_press_2 One of my all time favorite albums and probably top in the last year is the live cd by Mike Farris entitled Mike Farris and the Roseland Rhythm Revue: SHOUT! Live, recorded in Nashville.

Mike and the Revue are making a midwest several midwest stops next week.  The show I’ll be at is their wednesday September 2 show at The Ark in Ann Arbor (www.a2ark.org). I see on his website that they are also appearing the next day, September 3 at Fitzgeralds in Berwyn, Illinois and then again friday and saturday at the Minnesota State Fair.  If you can make it to one of these shows DO IT!!

You can read my review of this great cd at:   http://www.americanaroots.com/2009/04/12/reviews/music/mike-farris-the-roseland-rhythm-review-shout-live/

You can also check Mike out at his website:

http://www.mikefarrismusic.net/index.php

presskit_mikefarris_press_1

Americana Rock Mix: Episode 47 – It Goes Down Smooth

Category : Americana Rock Mix, Podcasts

In this episode, I’ve got a bunch of pretty smooth music. This group of music makes me very chill.

Music in this episode:

- Known For Possession by Hoots & Hellmouth (from The Holy Open Secret)
www.HootsAndHellmouth.com

- Death Of Me AND Die Like A Rockstar by Hurricane Doyle (from Hurricane Doyle)
www.Myspace.com/HurricaneDoyle
(Read the new article on Hurricane Doyle at AmericanaRoots.com right HERE)

- I’m Doin’ Fine AND Down The Mountain by Mark Lennon (from Down The Mountain)
www.LennonMark.com

- 16th And Velencia AND Rose Colored Sunset by Tiny Television (from Mission Statement)
www.TinyTele.com

- Hot Shot by Jamie Stellini (from 52 Weeks)
www.TheWeeklySong.com

- Hey Darling Do You Gamble? AND Sixes And Sevens by Lucero (from 1372 Overton Park)
www.LuceroMusic.com

- Here At The Bottom AND Go Back To Sleep by 100 Damned Guns (from Musica De Tormento)
www.100DamnedGuns.com

- Come Home To Me by The Famous (from Come Home To Me)
www.TheFamous.net

This episode is sponsored by Emusic.com and GuitarCenter.com. Visit my sponsor page for their special deals HERE.

NOW BUY MERCHANDISE. Shirts, stickers, mugs, etc. CHECK IT OUT HERE!

E-Mail: Von@AmericanaRoots.com

Voice Mail: 314-479-3051

Blog site: www.AmericanaRockMix.com

Twitter: www.Twitter.com/ARockMix

HURRICANE DOYLE – JUST WHAT WE NEEDED

Category : Features

How does one define southern rock? Obviously, you must dig deeply into the early 1970’s where perhaps it was at its best, to obtain a true answer. Lynrd Skynrd, along with The Allman Brothers, brought southern rock to the forefront unlike anyone before. The raucous energy flowed freely, with lyrics and sounds that permeated the spirit. The south was renowned for its free spirit, where bootleggers used to run the backroads with moonshine, and many honky tonks played music through the night for those looking to raise hell and have some fun. Skynrd and the Allmans were able to tap into the soul of these kindred spirits, telling stories they had lived, or at least wished they had lived at some point.

Leap forward more than 30 years, and what has changed? Well, country music is now pop and southern rock wannabes who have no idea who Duane Allman was.  Real country has gone underground, and is now emerging once again as alternative. Sure there are a few bands who have attempted to wade into southern rock, but without the passionate energy, they mostly fell flat. Perhaps Skynrd and the Allmans set the ladder too high, and spoiled any attempts to even try this feat.

Enter Jacksonville, Florida’s own Hurricane Doyle. Of course one CD does not create a legend, but you must get off the ground before you can fly. Like many artists before them, they began with high hopes….got knocked down…dusted themselves off…made some changes….and tried once again.hurricane doyle 2

Lead vocalist Larry Mell Morgan began his trek hoping to conquer Nashville.

“When I came to Nashville from Florida, it was to be done full out with the bands, vans, and insomnia thing, to start churning out mainstream country songs to get rich,” stated Morgan. “So I took demos all over town, kissed a lot of butts in a lot of offices, and played the stereotypical Nashville songwriter-round circuit for a while. That’s where I met some of the guys that would go on to become part of Hurricane Doyle, and it’s also where I started to figure out that the songs I was writing were not necessarily tame enough for Music Row.”

Once Morgan had hit the wall, a very fortunate opportunity was presented that opened a new door. Morgan was asked to perform at a benefit show. He quickly gathered some friends to put together this one time show.

“I didn’t have a band yet, so I called up a few of my new songwriter buddies (MikeyMike and Matt Ramsey included) because I knew they had the chops to get through a short set. We did not even have a name for the band, so we decided to name the band after Doyle Hargraves, Dwight Yoakam’s character from “Sling Blade”doyle hargraves

You got to love the creativity on the name choice alone!

“The first night that Hurricane Doyle played, the songs that were the most fun and got the biggest reaction from the crowd were those raunchy, decidedly-not-for mainstream-radio tunes that I love to play. Everybody just had a blast. I knew then that whether I liked it or not, this was in my blood for good. Now I’ve blinked and Hurricane Doyle has been playing for almost five years.

Getting to the point of releasing the new record has not been an easy task. Five years of hitting the road, losing some band members to other acts such as Taylor Swift’s band, and financial headaches, have taken a toll on everyone. The good thing is, they have grown stronger and survived.

“If you can call making music a struggle from a perspective that doesn’t take into account people’s real-life problems then…hell yeah, it’s been a struggle. In contrast to the good-time, party atmosphere of a Doyle show, where everybody in the room feels like part of the act, the recording of this project was a really slow grind. It was a real challenge not only to try to re-create the energy and drunken fun of those live shows, but also to fight through all the financial issues that have stalled things over and over again. I want to stress again, though, that I’ve loved every minute of it, and nobody’s killed anybody yet, so I’ll take it,” laughs Morgan.

The current lineup of Hurricane Doyle includes Morgan on lead vocals and guitar, along with MikeyMike on bass and baritone guitar, Dave Coleman on lead guitar, Matt Ramsey on guitar and vocals, Whit Sellers on drums, David Spires on pedal steel, and Chris Tuttle on piano.hurricane doyle

The new CD unleashes 9 songs, all written by Morgan, Ramsey, Michael “MikeyMike” Feeney, and Jason Gibson, a talented writer in Nashville. From the beginning, the record draws you in with the subtle opening chords on “Begging Sweetly,” almost like the listener is being taken slowly up the rollercoaster hill….before reaching the peak and heading quickly downhill on a non-stop thrill ride as Sellers enters on drums, beginning the memorable journey through this great record.

The downfall of many bands has always been their ability to capture the live energetic passion on a record. The strong instrumentals here only accentuate the outstanding lead vocals by Morgan. They seamlessly create a flow which allows the listener to envision the band playing within the same room, keeping them moving with the music.

It is also important to have some fun with your music, and Hurricane Doyle definitely does that well with the second tune called “Death of Me.” This hard driver is a lyrical phenomenon that flows effortlessly, enhanced by the harmonies of Ramsey. The tongue in cheek saying, turns into a literal living nightmare as the character within the song has created his own fatal attraction.

Along with “Death of Me,” “Got a Gun” perhaps stands above the others as one the strongest songs on a record full of good tunes. This tale hits home in this time of hard living, as the character debates how to handle his woe. Supported by a great acoustic guitar, the lonesome feel and angst are captured very well. This song almost has a Henley/Eagles quality to it, but when Walsh was playing guitar during the good old days.

There is honestly no let downs in this record. The energy flows well from song to song, each offering its own source of quality without sounding repetitive. This well rounded, multi pronged attack, along with the talented writing and singing, certainly are refreshing in a genre which has sorely lacked such a band in many years.

With the initial record out, Hurricane Doyle now must keep rolling, have some fun along the way, and continue to carve out their own niche.

“My favorite part of the whole music thing is playing live and writing songs, so we’re going to keep doing that, and hopefully find some time to promote this record and get it out there. We’re booking what our promoter Page Carpenter likes to call an “SEC Tour” of the Southeast for winter and spring, and hope to have another EP finished by early next year. I would like to make a live record as well, but I have to concentrate on not saying anything from the stage that would offend my mom,” laughs Morgan.

If you like quality writing and hard driving music, I highly recommend you pick this one up. Check out their myspace here for samples, you will not be disappointed.hurricanedoyle cover

 

 

 

 

 

 

 http://www.myspace.com/hurricanedoyle

 

 

Americana Roots Review #77

Category : Americana Roots Review, Podcasts

This week on Ray Randall’s podcast you can hear great new music from Americana artists Watermelon Slim, Levon Helm, Houston Marchman, Gina Villalobos and Radney Foster and The Confessions.

Americana Rock Mix: Episode 46 – Lo-Fi Videocast – The Bottle Rockets

Category : Americana Rock Mix, Podcasts

This is a somewhat short episode, and I apologize for that. But I wanted to share this band and these videos with you. So, hopefully you’ll enjoy them.

The Bottle Rockets performed live at Vintage Vinyl in St. Louis, MO at their CD release party for “Lean Forward” on August 11th, 2009.

The songs featured on this Lo-Fi Videocast can be heard on “Lean Forward”

This episode is sponsored by Emusic.com and GuitarCenter.com. Visit my sponsor page for their special deals HERE.

NOW BUY MERCHANDISE. Shirts, stickers, mugs, etc. CHECK IT OUT HERE!

E-Mail: Von@AmericanaRoots.com

Voice Mail: 314-479-3051

Website: www.AmericanaRoots.com

Twitter: www.Twitter.com/ARockMix

Play

Americana Rock Mix: Episode 45 – Brian Henneman Interview

Category : Americana Rock Mix, Podcasts

In this episode I play some new music from The Bottle Rockets and interview the lead singer, Brian Henneman.

Music in this episode:

These select tracks are by The Bottle Rockets (from Lean Forward)
- The Long Way
- Hard Times
- The Way It Used To Be
- Slip Away
- Give Me Room
- www.BottleRocketsMusic.com

- Knucklehead by Eric Ambel (from Knucklehead) – www.EricAmbel.com

This episode is sponsored by Emusic.com and GuitarCenter.com. Visit my sponsor page for their special deals HERE.

NOW BUY MERCHANDISE. Shirts, stickers, mugs, etc. CHECK IT OUT HERE!

E-Mail: Von@AmericanaRoots.com

Voice Mail: 314-479-3051

Blog: www.AmericanaRockMix.wordpress.com

Twitter: www.Twitter.com/ARockMix

Charlie Faye-Wilson St.

Category : Music, Reviews

faye   When I hear a song just a few times and wake up with it in my head, I know I really like it (or it’s from one of my children’s damn kid shows..).  Such is the case with the opening cut Bottletops on the debut cd by Charlie Faye.  Her musical career began in her hometown of New York where she fronted a band called The Jerks, and toured entertaining children in Dan Zanes band.  Charlie moved to Austin a few years ago seeking inspiration and a sense of community, which is exactly what she found and threw herself into. She ended up on Wilson Street, an area long called home by Austin musicians in the neighborhood’s small affordable cottages.  The neighborhood was to be destroyed by a developer, but they hadn’t counted on a fight from new resident Charlie Faye, who devised a plan to relocate the cottages instead. The “cottages” even have their own MySpace page at http://www.myspace.com/wilsonstreetcottages!

Now to the music.  Most of the tunes are upbeat catchy americana tunes. Charlie is one of those singers who has that unidentifiable something extra in their voice; some kind of “secret ingredient” that certain singers, such as Natalie Merchant have that others don’t.  Charlie wrote many of the tunes on the disc at her Wilson Street cottage on an old Gibson guitar.  While certainly a tough cookie, some of the tunes show a softer, more vulnerable side, as on the beautiful soft acoustic closer Ready To Fall:

            Time and time again I’m laying on some lover’s arms
            Saying we’re just friends, while I’m counting all your charms

Along with many guests, including Gurf Morlix, Charlie is backed on the disc by Will Sexton bass and guitars, David Holt on guitar and Rick Richards on drums.  She plans a rather unorthodox tour in 2010, choosing to travel to 10 cities in 10 months and not only play in those cities, but live there for a short time and putting together a local band to play a show with at the end  of every month for those she’s befriended onthe way. It is difficult to be fresh and unconventional in today’s world.  Somehow Charlie Faye has found a way to be both!

charlie1

Junior Brown is HUGE

Category : Live Shows

IMG_1732

After seeing countless shows over the years I still really enjoy most of the shows I choose to go to. Rarely am I blown out of the water anymore yet I sure was last week at the Junior Brown concert which I posted on a few days before.  Somehow the guys at Callahan’s in Auburn Hills, MI enticed Junior to their small (about 200) seat venue.  Junior traveled to Michigan but love of his music was already clearly here as shown by the VERY enthusiastic packed house. For those of you who aren’t familiar with Junior let me ’splaine.  Back in the 80’s Junior was constantly switching back and forth between guitar and steel guitar when it hit him- why not have an instrument with both.  Thus was born the “Guit-Steel” around 1985 and the  legend of Junior began.

Junior with the Guit-Steel

Junior with the Guit-Steel

Pair the energy of the guit-steel with Brown’s barritone and you have a true musical force.  His only accompanyment is bass and stripped down drum kit.  He generally switched between guitar and steel 3-4 times per song, if not more! His catalog is wide ranging, from his hero Ernest Tubb to Albert King to many of his own often humorous tunes. The show was opened up with one of Detroit’s best bands The Deadstring Brothers, which I have reviewed here before!

If this Austin native comes anywhere near you make sure you go and find out “what BROWN can do for you!”

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