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2009 May | Americana Roots

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Tom Savage Trio- The County Line Kingston, Ontario's Tom Savage fourth studio album called The County Line recently founds its way to my ears.  Even though it is a 2008 release it deserves your attention if you haven't heard it. ...

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Marley's Ghost - Ghost Town Ever ask yourself what has happened to real music as you search your radio dial….looking for anything that sounds appealing? The music is still out there, you just need to look in the right places. Some...

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Jeremy Porter - Party of One After listening to “Party of One,” Jeremy Porter’s debut solo CD, it’s easy to see what makes Americana music a deeper listen than pure Pop. Both genres share the synthesis of multiple source genres,...

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Drunk On Crutches - People.Places.Things. Have you ever decided to listen to new CD, not knowing what to expect? Sure you have. And when the first song starts, you are not only surprised, but ready to hear what’s next? Well, that’s what happened...

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The Council of Smokers and Drinkers- Grizzled Nashville, Austin, Memphis......Anchorage??  Last year we wrote about Alaska band The Whipsaws on our site.  I'm happy to report that we have another tasty musical export from the Cold North.  Ladies...

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Americana Roots Roundtable v12

Category : Podcasts, The Roundtable

It has been a long while since Ray and I have sat down to do an episode of the Americana Roots Roundtable podcast. The Roundtable is a show where we talk about some of the current events regarding Americana Music. We occasionally have guests on to participate and always play music and interviews. For episode 12, we will focus on the Americana Music Association conference which will be held in mid-September in Nashville, TN. The AMA recently announced the nominees for this years award show. Ray and I will walk through the nominees and focus this episode on the New & Emerging category.

List O’ Links
The Band of Heathens
The Belleville Outfit
Justin Townes Earle
Sarah Borges

Americana Music Conference

Catching Up On Some Great Ones You Might Have Missed: Connor Christian

Category : Music, Reviews

connor-c1Atlanta’s Connor Christian & Southern Gothic recently released a disc that really knocked me out, 90 Proof Lullabies, but expect more ‘90 Proof’ than ‘Lullabies’.  This is some great sounding southern alt/country-rock!  The band consists of Connor Christian (vocals, piano, guitar and harmonica), Shawn Thacker (drums and vocals), Joe Abramson (bass and vocals) and Nick Edelstein (organ, guitar, accordion).  Connor took off from home at age 14 and hasn’t looked back.  He has traveled all over the world giving him a very broad range of experiences and observations to draw from in his music.  Witness the bombastic Billy Bragg sounding Chipping Away, part protest anthem, part drinking song:

…….The mincing over words over torture and pain                                With each controversy every prisoner on the rack                                Well our flag becomes tarnished and may never come back…                The chipping away makes me weary                                                  We tried to do it their way                                                              We’re filled with venom and whiskey and self-righteousness                    We won’t stop till we reach for the day

Alongside Connor’s excellent songwriting, poignant lyrics and singing, his band is first rate too.  Nick Edelstein’s presence is very stong throughout.  All of the songs are originals except the best version of One Toke Over The Line that I’ve ever heard.  Other standout tracks include the opening cut Sunday Suit, Midnight Moon, and 3 Times which was featured in the award winning (45 International Festival awards!) independent film Last Stop For Paul in 2007, a film appropriately enough about backpacking around the world.  My guess is Connor Christian will be racking up some awards for 90 Proof Lullabies as well!

David Serby – Honky Tonk and Vine

Category : Music, Reviews

One of the great things about music is that we all have different things which draw us in. Some listen only for how well the singer belts it out. Others may prefer to listen to how the guitar player rips it up. Then there are some of us who just like a well written song, regardless of how well it is sung.

For his third release, David Serby provides a little of everything for the listener to enjoy. “Honky Tonk and Vine” includes 13 songs, all written by Serby, which take the listener on a trip through a mixture of traditional country, western swing, and a bit of the Bakersfield sound as well.david-serby

While it must be said that Serby is not going to be compared to any of the great vocalists of the past, he still has enough to keep your attention. It is his writing talents that truly shine in this release. The songs are lyrically addictive, plus well supported by toe-tapping instrumentals.

Serby opens the record with the hard driving “Get It In Gear,” which certainly has a Junior Brown feel to it. Other strong highlights include the heart wrenching “I Only Smoke When I’m Drinkin’,” and equally adept “Permanent Position.” Serby has a keen ability to paint a picture of despair with his music. He describes the woes of love gone wrong so well, one can easily picture him standing at the end of the bar with a cold one in his hand drowning his sorrows.

The call back “The Grass Is Always Bluer” would make Bob Wills proud, with a definite western swing that is done very well. “Don’t Even Try” is another well written song that will definitely have you tapping and singing along.

While there are a few songs which don’t quite hit their intended mark, the highlights definitely make this one worthwhile. The songs have a timeless quality to them, capturing a purity missing from a lot of today’s music.david-serby_honkytonk-and-vine

Americana Rock Mix: Episode 37 – Goodbye Jay Bennett

Category : Americana Rock Mix, Podcasts

I have quite an assortment of musical delightment today. Take a listen and I’m sure you’ll agree.

Music in this episode:

- Angel Is The Devil (Steve Earle Cover) by The Supersuckers (from Steve Earle & The Supersuckers) – www.Supersuckers.com

- She’s Just That Kind Of Girl by Lucero (from Rebels, Rogues & Sworn Brothers) – www.LuceroMusic.com

- 55 Pictures by The Damnwells (from One Last Century) – www.TheDamnwells.com

- Youngstown, The City Of by Two Cow Garage (from Please Turn The Gas Back On) – www.TwoCowGarage.com

- I Want You To Know by The Riverwinds (from The Riverwinds)

- Not Coming Back by The Riverwinds (from The First EP) – www.myspace.com/theriverwinds
Download their first EP and first single from their new album HERE

- 16 Military Wives by The Decemberists (from Picaresque) – www.Decemberists.com

- Satisfied AND Nothing To Lose by Van Ghost (from Melodies For Lovers) – www.VanGhost.com

- Without The Benefit Of Sight AND Talk And Talk And Talk by Jay Bennett (from Whatever Happened I Apologize) – www.myspace.com/jaybennett

Download Jay Bennett’s newest album for FREE right HERE.

This episode is sponsored by Emusic.com. Click HERE and sign up for a free 7 day trial and 25 free songs.If you cancel before the 7 day trial is over, nothing will be charged to your card, and you can keep the 25 songs for free. That’s a $25 dollar value right there. Emusic.com

E-Mail: Von@AmericanaRoots.com
Website: www.AmericanaRoots.com
Twitter: www.Twitter.com/ARockMix

The Band of Heathens – Done Emerging

Category : Blog

The Band of Heathens
This past week, the Americana Music Association, announced the nominees for the 2009 AMA Awards and Honors to be held in Nashville in mid September. ¬ In that announcement came word that the Austin based band “The Band of Heathens” is nominated for the New & Emerging Artist category. With that came some of my own personal satisfaction in having a chance to see this band develop over the past few years. I wanted to try and capture my journey along the road of The Heathens. This band continues to not only amaze me musically and in addition they have built a model that all musicians can learn from and have managed to do it while keeping their own ego’s in check (well mostly) ;-)

The band originally launched in 2006 as a side project for a group of singer/songwriters out of Austin: Brian Keane, Gordy Quist, Colin Brooks & Ed Jurdi. At the time, I caught a few of the early on shows to support one of my personal favorite songwriters, Brian Keane. Brian was fresh off the release of his debut album “I Ain’t Even Lonely” and his shows would often include band mates: Colin Brooks, bass player Seth Whitney and drummer Eldridge Goins. I knew of Colin back from my days of catching numerous Guy Forsyth shows to which Colin played accompanying guitar. I was always impressed with the fact that Guy even had a guitarist since if you’d ever seen Guy, you knew he had some damn fine musicians (going back to the days of the early Asylum Street Spankers). In addition, Keane turned me on to Gordy Quist’s solo release entitled “Songs Play Me”.

Band of Heathens - SXSW 2007In 2006, I started to see the band grow into the Band of Heathens made up of four super talented young songwriters: Brian Keane, Gordy Quist, Ed Jurdi and Colin Brooks while being backed by Seth and Eldridge. They started playing a Wednesday night gig at the club Momo’s in Austin and after a misprint in the local paper deemed the group as “The Heathens” the name stuck. I would catch their shows around San Antonio when I could, as it was my chance to catch Brian Keane. For a music fan, this group was overwhelming with a tremendous range of talent up on stage all contributing to help out each other’s songs. The band then released their first CD entitled “Live at Momo’s” which cemented this idea of real-time band collaboration.

In 2007, something happened. Brian Keane packed his bags and moved out to Nashville. Eldridge, the flamboyant drummer took off. At this point, I was convinced the heathens would disband but much to my surprise they picked up one hell of a new drummer in John Chipman (previously with Jon Dee Graham). The group slimmed down to three singers: Gordy, Colin and Ed and rounded out with Seth and John backing the group. In March (2007) we invited the group out to our AmericanaRoots.com Showcase during SXSW after picking up the “Best New Band” award from the Austin Music Awards. These guys played any and every show rounding out with at least a dozen or so events they played that week in Austin.

heathenspromo19540In 2008, the band released a Live at Antone’s CD & DVD followed by their first ever studio album entitled “The Band of Heathens” which in my mind put these guys on the map for good. This was their highly anticipated first studio album with tracks from Ed, Gordy & Colin as all their previous music was only available on live cd’s. The studio transformed these guys into something quite amazing. This band had two years worth of non-stop playing plus two live cd’s behind their belts. This experience translated into a great blend of music, which saw tremendous success on Americana Radio across the country. Also in 2008, the band returned for a second time to our AmericanaRoots.com showcase during SXSW. In addition, the Americana Music Association invited the band out to Nashville for their yearly Americana Music Conference to speak about their band model. Without getting into too much boring business detail, let me just say that The Band of Heathens are a model in which all up and coming musicians can learn from. The idea of combining three singer/songwriters up on stage may seem like a disaster to many but given the right set of people, it’s a smart and efficient way of distributing your music in a live experience.

In summary, this band has earned everything that has come their way. Gordy, Ed, Colin, Seth and John have the miles to prove it. This wasn’t a band that was 3 years in the making, it’s a combination of many years of going down the singer/songwriter route and collectively stumbling upon a group of somewhat like-minded peers and building a band around everyone’s creativity. Over the past three years, I have seen these musicians elevate not only their stage presence but freely contribute to each other’s songs which equates to a much more rounded out sound. The harmonies, commanding of the stage and all around enthusiasm to have fun translates to a good time anywhere you see them. While I’m sure the Band of Heathens will continue to evolve over the years, it would be hard to see anyone of these guys leave the band. Given my past history though, I’m pretty sure the idea of The Band of Heathens may make this a perpetual band for many years to come.

As a AMA member, I will humbly request that you consider your vote to these band for “New & Emerging Artist” at this year’s AMA awards. This category this year is by far the toughest with The Belleville Outfit, Justin Townes Earl, Sarah Borges and The Band of Heathens. Each band would be a great selection but for this year my vote goes to the Band of Heathens.

To learn more about The Band of Heathens, visit their website at http://www.BandOfHeathens.com and check out LoneStarMusic.com for all of the BoH’s catalog of CD’s.

Americana Roots Review #73

Category : Americana Roots Review, Blog, Podcasts

This week on Ray Randall’s podcast you can hear great new music from Americana artists Matt Angus, Stephanie Chapman, Chuck Mead, Seth Walker and Dallas Wayne.

SCOTT BIRAM – SOMETHING’S WRONG/LOST FOREVER

Category : Music, Reviews

Texas native Scott Biram once again unleashes his one man band prowess with his third Bloodshot Records release titled “Something’s Wrong/Lost Forever.” For those of you not familiar with the man, or his music, sit back and enjoy this short miraculous tale.biram

Biram, who is also known as the Dirty Old One Man Band, has led a tumultuous life thus far to say the least. On May 11th, 2003, one month after being hit head-on by an 18-wheeler at 75 MPH, he took the stage at The Continental Club in Austin, TX in a wheel chair – I.V. still dangling from his arm. With 2 broken legs, a broken foot, a broken arm and 1 foot less of his lower intestine, Biram unleashed his trademark musical wrath. After only one month! Look at that mess! I can’t imagine walking away alive and in one piece, let alone taking the stage in a month and continuing the journey. I guess music is his medicine.

That was not the end of Biram’s misfortune. Just a couple of months ago while in Europe, he slipped and broke his good leg…another compound fracture and more rods and pins. He now has rods running through both legs. Not one to give up, he has taken six weeks to heal and is hitting the road once again in late May to promote the new record.

Certainly taking the stage like that would get anyone’s attention. He is either a lunatic, which may be debatable, or a man possessed by his music.

The new record displays Biram’s own blues in grand style, mixed in with a little country and classic rock vibe. While his vocal distortions can at times detract from the brilliant writing, his skills are endless. One look at the liner notes says it all. Produced by Scott Biram. Engineered by Scott Biram. All vocals, guitars, harmonica, footstomp, Hammond Organ, Knockin’, tambourine, and just plain hollering, by Scott Biram. You might get the idea that this guy may have a few control issues, but if you can do it well, it is fine with me.

The opening track, “Hospital Escape” aptly sets the desperation for this record. Hearing the mortality crying for help, while unsettling, properly sets up the tone for the record. Biram’s blues come from a dark place within. The song titles alone tell a story. “Time Flies,” “Still Drunk, Still Crazy, Still Blue,” “Ain’t It a Shame,” “Judgement Day,” “Draggin’ Down the Line,” “Hard Time,” all songs painting a picture of a true man. A man who has lived his life as he chose, not always making the right choices, but choices he must deal with throughout life.biram121

The highlights include “Still Drunk, Still Crazy, Still Blue” where Biram’s anguish bleeds through, the acoustic “Draggin’ Down the Line” is perhaps the best song on the record, allowing his talents to shine without the distortion.

Biram closes the record with a great old a cappella version of the classic “Go Down Ol’ Hannah,” written by the immortal H. Ledbetter, better known as Lead Belly. Biram’s true vocal talents shine here, allowing his soulful depths to captivate the listener.

Biram has a sound and quality all his own, without a doubt. He has certainly lived a life full of blues and misery, which he presents here. While this record may not be the first one you throw on to kick into a good mood, it should be within quick reach for those who enjoy music talent. While I prefer less distortion, Biram can certainly deliver mesmerizing glimpses of a talent that is waiting to explode. Those glimpses are worth the time here.

biram-cover

Nominees for AMA Honors and Awards Show Announced

Category : Blog

The Americana Music Association announced the nominees for the trade organization’s 2009 Honors and Awards ceremony today at its annual celebration at BMI Nashville. The show, in its eighth year, will be held Thursday, September 17 at the Ryman Auditorium in Nashville, Tennessee.

Legendary Mandolin virtuoso Sam Bush, joined by rising star Phoebe Hunt—member of the hot young band the Belleville Outfit—read the list of award candidates to a crowd of industry executives, artists and tastemakers.

Buddy Miller received five nominations in the six member-voted categories; Justin Townes Earle received three and Alejandro Escovedo, the Flatlanders and Australia’s Kasey Chambers and Shane Nicholson each received two nominations.

“These nominations reflect the vibrancy and diversity of the ever-growing popularity of Americana Music,” said Americana Executive Director Jed Hilly. “Our Honors & Awards show will again be filled with legends and the next generation of stars; it’s going to be a musical night to remember.”

Selected by members of the Americana Music Association, the 2009 nominees reflect the genre’s affection for innovative and inspiring artistry. The nominees’ eligibility is based on work released between June 1, 2008 and May 1, 2009.

The 2009 Americana Music Association Honors and Awards Nominees are:

ALBUM OF THE YEAR

Real Animal, by Alejandro Escovedo

Written in Chalk, by Buddy & Julie Miller

Jason Isbell & The 40 Unit, by Jason Isbell & The 40 Unit

Midnight At The Movies, by Justin Townes Earle

ARTIST OF THE YEAR

Alejandro Escovedo

Buddy Miller

Justin Townes Earle

Raul Malo

INSTRUMENTALIST OF THE YEAR

Buddy Miller

Gurf Morlix

Jerry Douglas

Sam Bush

NEW & EMERGING ARTIST

Band of Heathens

Belleville Outfit

Justin Townes Earle

Sarah Borges

SONG OF THE YEAR

“Chalk,” written by Julie Miller, performed by Buddy Miller & Patty Griffin

“Country Love” by the Gourds

“Homeland Refugee,” by Joe Ely, Jimmie Dale Gilmore, and Butch Hancock, performed by the Flatlanders

“Rattlin’ Bones” by Kasey Chambers & Shane Nicholson, performed by Kasey Chambers & Shane Nicholson

“Sex And Gasoline,” by Rodney Crowell, performed by Rodney Crowell

DUO GROUP OF THE YEAR

Buddy & Julie Miller

Flatlanders

Kasey Chambers & Shane Nicholson

Reckless Kelly

“The artists housed under the Americana umbrella create today’s most critically acclaimed, socially relevant and culturally profound music,” said AMA executive director Jed Hilly. “The nominees represent the elite of the elite, and we are proud to work with and for such provocative creators.”

The winners will be announced September 17 at the historic Ryman Auditorium during the 8th Annual Americana Music Association’s Honors and Awards Show. Hosted by Jim Lauderdale and featuring a band led by Buddy Miller, the Honors & Awards ceremony will also recognize Lifetime Achievements and awards in Performance, Songwriting and the unique Spirit of Americana Award honoring Free Speech in Music. Additional honorees and performers will be announced in the coming months.

Slated for Wednesday, September 16 through Saturday, September 19, the 10th Annual Americana Festival and Conference will offer daily seminars, panels and networking opportunities at the Nashville Convention Center. Each evening brings more than 80 stacked Americana showcases to key venues throughout Nashville. Approximately 1,000 industry professionals attended the 2008 conference and more than 12,000 fans experienced the Festival’s musical events.

A limited number of Americana Honors and Awards pre-sale tickets costing $55 are now available through the Americana online store (www.americanamusic.org) or by calling the office 615.386.6936. Wristbands for admission to all four evenings of live music now available now for $45 via www.americanamusic.org. Full Conference registrations include access to all panels and presentations, the trade show, select meals, invitations to all sanctioned parties, a ticket to the Honors & Awards ceremony and priority admission to the evening performances. Registration is currently $300 for AMA members and $400 for non-members, a savings of $150 off the walk up price.

The Renaissance Hotel is the official hotel of the Americana Music Conference. Conference registrants may receive a discounted room rate by clicking here and entering the special discount code: amaamaa.

Major sponsors include BMI, First Amendment Center, GIBSON, The Gibson Foundation and SESAC.

About the Americana Music Association

The Americana Music Association is a professional trade organization whose mission is to provide a forum for the advocacy of Americana music and to promote public awareness of the genre to support the creative and economic viability of professionals in this field. Dedicated to building and promoting the Americana genre and the individuals who participate in that industry, the Americana Music Association works closely with artists, labels, radio stations, retailers, print media, festivals, agents, publishers and more to help organize and build the infrastructure necessary for the Americana genre to achieve success both creatively and financially.

National Coverage – MSO: Mitch Schneider, Todd Brodginski and Lyndie Wenner

mschneider@msopr.com

toddb@msopr.com

lwenner@msopr.com

Festival and Conference – Jayne Rogovin-The Jayne Gang

jrogovin@bellsouth.net

###

Sarah Luery
MSO
14724 Ventura Blvd #710
Sherman Oaks, CA 91403
818.380.0400 x241

818.380.0430 fax
sluery@msopr.com
www.msopr.com

**please include original message in reply**

Americana Rock Mix – Ryan Adams Live pt 2

Category : Americana Rock Mix, Podcasts

The second set of a two set concert.

Ryan Adams And The Cardinals
November 8, 2008
Ambassador Theatre
Dublin, Ireland

- Go Easy
- Sink Ships
- Crossed Out Name
- Stars Go Blue
- band introductions
- Let it Ride
- Desire
- Evergreen
- Cold Roses
- encore break
- Freeway to the Canyon (Neal Casal)
- Like Yesterday
- La Cienega Just Smiled
- Stop
- Two
- I See Monsters

Ryan Adams – Vocals / Guitar / Piano
Neal Casal – Guitar / Piano / Vocals
Chris Feinstein – Bass / Background Vocals
Jon Graboff – Pedal Steel / Guitar / Background Vocals
Brad Pemberton – Drums / Background Vocals

E-Mail: Von@AmericanaRoots.com
Twitter: www.Twitter.com/ARockMix

Americana Roots Review #72

Category : Americana Roots Review, Podcasts

Ray Randall is back with the latest edition of his podcast.  Check it out and enjoy the latest Americana music from some of today’s up and coming artists.

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