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2009 March | Americana Roots

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Ola Belle Reed - Rising Sun Melodies We here at Americana Roots endure to present the best music available, even tracing it back to its original lineage.  Well, this music certainly represents everything we stand for here, and more. Smithsonian...

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The Farewell Drifters-My Favorite 2010 CD So Far If the year ended today my favorite cd of the year would be Yellow Tag Mondays, the national debut cd by The Farewell Drifters.  A couple of months ago I was lucky enough to be in Arlington Virginia...

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Rose's Pawn Shop - Dancing On The Gallows Blending genres of music has become much more common today, with mixed results. Why should we even attempt to categorize all music? Breaking free of these unnecessary habits and allowing the music to speak...

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YARN- Come On In One of the best young bands in the country is out with another new disc; it's a good day in the United States of Americana! Brooklyn's own YARN is releasing their third cd, Come On In.  This comes following...

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Andrew Combs Debut Release Titled Tennessee Time One look at 23 year old Andrew Combs’ musical influences will certainly open many eyes. He lists Guy Clark, Hank Williams, Willie Nelson, Harlan Howard, Hank Cochran, and Townes Van Zandt as among those...

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Americana Chart In Review – March 30th

Category : Blog

Each week, the 75+ chart reporting Americana Music Association radio stations submit their playlist for the previous week. This chart, which is available on the AmericanaRadio.org website, is a compass if you will of Americana. For the past 3 weeks, Buddy & Julie Miller, have held onto the #1 slot with their new release “Written In Chalk”. In addition, there were a number of new adds this week which can be a measure to highly anticipated new releases coming out.

Buddy & Julie Miller
Top 10 of 3/30/2009
1.) Buddy & Julie Miller – Written in Chalk
2.) Willie Nelson & Asleep At the Wheel – Willie and the Wheel
3.) J.J. Cale – Roll On
4.) Justin Townes Earle – Midnight at the Movies
5.) The Gourds – HayMaker!
6.) Gurf Morlix – Last Exit To Happyland
7.) Ruthie Foster – The Truth According To Ruthie Foster
8.) Neko Case – Middle Cyclone
9.) Raul Malo – Lucky One
10.) Jason Isbell and the 400LB Unit – Self Titled

Top New Album Adds For This Week
1.) Slaid Cleaves – Everything You Love Will Be Taken Away
2.) The Greencards – Fascination
3.) The Flatlanders – Hills And Valleys
3.) Doug Sahm Tribute – Keep Your Soul: A Tribute To Doug Sahm
5.) Sarah Watkins – Sara Watkins

Chris Knight – The Live Experience

Category : Live Shows, Reviews

I am a relatively new convert in the ways of singer/songwriter Chris Knight. I was turned on to his music only a few years ago by Eric Banister (our editor) and Ray Randall (our podcast guru). It took me a few spins to get accustomed to Knight’s vocals and presentation of songs but make no mistake I’m a huge fan now days. If you are unfamiliar with Knight, he was born in a mining town known as Slaughters, Kentucky. He released his self-titled debut album when he was 38. Chris KnightSince then, Knight was released five more albums which include songs that have been picked up by some of the bigger names in Country music: John Anderson, Blake Shelton, The Great Divide, The Road Hammers, Montgomery Gentry and the Confederate Railroad.

This past Friday, I had the opportunity to catch his live show in San Antonio. This was my first full live Knight show (I did catch a small set at the Mercy Lounge in Nashville a few years ago). Chris packed the venue (Sam’s Burger Joint) which is often hard to do in my hometown (unfortunately). My first note of interest was how diverse the crowd was mixed with half college / half elderly (> 30). In San Antonio, radio is a bitch around here. We have a Clear Channel station known as the Outlaw which covers the Southern half of San Antonio mixed in with KNBT (New Braunfels) which covers the North side of San Antonio coupled with a KSYM (Third Coast Music) which is a part time Americana/Texas station. The point is, Chris Knight, doesn’t get the mainstream attention which I am guessing is something he is accustomed too around the entire USA. To pack a place in like Sam’s, is no easy feat so it was my surprised to see so many fans singing along to his entire catalog of songs most of the night.

The crowd was into it and Chris Knight seemed pretty impressed by that fact encouraging folks that they would be back and to bring out more friends. Chris rarely shows much emotion up on stage as he’s widely noted for his shyness up under the big lights but he did share a few laughs with the audience. His set list included starting off the night with a few cuts from his latest album followed by a barrage of his hits. This is what impressed me the most though. I had little idea how deep his full catalog of music was in terms of popular songs until he played through 1.5 hours of all of my own personal favorites which include: It Ain’t Easy Being Me, Down The River, Rural Route, Dirt, Cry Lonely, Jack Blue, A Pretty Good Guy, Becky’s Bible, Enough Rope, Framed, Oil Patch Town. Chris is an amazing songwriter coupled with a brilliant way of presenting character based stories (often in first person). It is extremely hard not to believe this guy hasn’t done half of the things he sings about as he is able to deliver the story perfectly through song. Eric Banister interviewed Christ Knight a few months ago and asked him if it is ever a problem of people associating you and the characters in a song a little too closely. To which Chris replied “It’s not really a problem. Some people tend to believe that I’ve done everything in my songs. I don’t care, let ‘em believe.”

Chris KnightIn summary, this was a fantastic live show. I would highly recommend catching Chris live either via the full band or solo. Each type is different in its own right but neither disappoint in carrying the story through. Chris Knight is and should continue to be featured as one of the key players on the Americana Music scene. He is the definition of singer/songwriter and does it with raw musical genius minus all the glitz and glam.

SXSW Sights

Category : Live Shows

Man, can this festival be frustrating.  Too many great shows to choose from and too many great places to try to eat at!

I spent SXSW with Gregg Geil, his wife Nicole, as well as Hickorywind.org founder Larry and his wife Heather romping about Austin in an ‘earal’  and oral orgy of sound and taste! Gregg has posted on some of the happenings in Austin already, so I’d like to add some photos to give a ‘taste’ of what this thing was like.

We spent thursday night at Antone’s at the Americana Music Association Showcase at a jam packed Antones.  The next day we had the Americanaroots.com and Galleywinter.com showcase at the Waterloo Ice House.  Saturday was spent at The Continental Club seeing Jon Dee Graham and James McMurtry in the afternoon.  In the evening I happened upon the Countryline Magazine showcase at The Ranch on 6th and saw Ruby Jane, Jeffrey Steele (Nashville songwriter extrordinairre) and Brandon Rhyder. There were probably only 30 other shows we would have liked to see.  The great music, coupled with great food (Salt Lick BBQ and Guero’s Taco Bar especially) made for one fantastic weekend!

Carrie Rodriguez at Antones

Carrie Rodriguez at Antones

Band of Heathens at Antones

Band of Heathens at Antones

Sarah Borges and me

Sarah Borges and me

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Two Tons of Steel- Waterloo Ice House

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Wrinkle Neck Mules at the Ice House

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Scott Miller at the Ice House

Josh Grider Trio

Josh Grider Trio at The Ice House- new EP is fantastic!

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Tim Easton at Jovitas

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Ruby Jane Smith at The Ranch

Man was that fun!

Young Talent Prominent at SXSW

Category : Live Shows

Obviously the future of the music business and the continued access to great music for we fans depends upon new talent developing.  I have tried to highlight talented young artists whenever possible, because without them coming along we’ll all eventually be stuck listening to the bands that play the Super Bowl Halftime shows!

I was unable to see my favorite young band The Belleville Outfit (biggest frustration of SXSW-too many great shows, only one set of ears..)  I was however, able to see several young artists/bands that caught my ear and hopefully will become mainstays.

cimg2315 One who is already on her way is Ruby Jane Smith and her band The Ruby Jane Show.  She performed at the Country Line Magazine Showcase at The Ranch in Austin.  Ruby has spent most of her 14 (yes 14) years in Mississippi but now resides in Austin.  Last year she was one of the youngest musicians to ever be invited to play SXSW.  She has also played the Grand Ole Opry and been freatured on the CBS Evening News. Did I mention she’s 14?  Especially telling was her command of the stage.  She bounded around the stage prior to the opening number encouraging and firing up the band (although they sure played like they didn’t need any firing up!)  Often alternating between fiddle and guitar (during the same tune) she showed amazing poise and talent for someone who doesn’t even have their wisdom teeth yet!  My favorite tune of the night was on original Smoke in My Eyes so she’s got songwriting talent as well!

fireants1Another band I saw and have listened to is Austin band The Fireants. This is another group who, like their friends The Belleville Outfit, play way beyond their years. They play music with influences of country, bluegrass and roots music and play it well.  They played to an enthusiastic crowd at Momo’s.  They will be releasing their first EP any time now.  I’ve heard it and think they’ve got great things to come.

Lastly I caught a young band from St. Louis, John Henry and the Engine whose music has tastes of cosmic rock as well as soul and americana.  He played at Jovitas at the Twangfest Showcase (a large summer music festival also out of St. Louis- twangfest.com).  He mentioned that the band will be recording again soon.  Their first full length cd entitled Under The Yellow Moon is available now. john-henry-cd2

Government Bails Out Record Labels. USA now owns 49% of the Record Industry!

Category : Blog

President ObamaLast week, the US government, announced its plan to bail out struggling record labels as a part of the stimulus plan.  The initial payout amount is set at $350 billion dollars which will be spread across all of the remaining record labels (Warner Music, EMI, Sony Music and Universal).  Proponents of the plan applaud government actions to restore a bureaucratic sense to music.  We here at AmericanaRoots.com, interviewed John Townes at the consumer watchdog group “Wax Is Back” regarding this monumental plan to buy back all of the toxic assets in the music industry.   John says “This plan is critically important in the preservation of our musical landscape.  It is important that we rid radio of the 95% of garbage they play and push in music which is deemed good by the government”.  As our research staff dives into this stimulus plan, we have found some amazing examples of how our music history will be completely rewritten with the removal of back catalogs from bands like: Milli Vanili, The Backstreet Boys, New Kids on the Block and pretty much all music that comes from the 80’s.  As we look to the future, some questions have been raised about how this government help will change the direction of music.  We here at AmericanaRoots.com are dedicated to monitoring this change moving forward.
When you get so little actual news each day, you are forced to make stuff up.

For The Musicians: Managing Your Online Tour Dates

Category : Blog

One of my new year’s resolutions for 2009 was to kick out a few blogs / podcasts over the year which will focus on how musicians can succeed in this ever changing industry. The music industry is in a rampant state of flux with the ongoing demise of record labels coupled with CD retailers closing faster than Willie Nelson can release albums. All of this commotion has led to musicians into the great big blue sea known as the Internet. This new technological ocean is filled with opportunities however understanding these opportunities’ is more than a full time job. While I can’t do your work for you, I have a lot of opinions on technology and how it relates to music. Although, take my advice with a grain of salt however it’s probably better than any financial advice you’d get now days but still… the world of music is in Ludacris Speed and trends change fast.

Before I dive into ArtistData.com, let me just state my strong opinion on the #1 key to success as a band. Sure music is important, beautiful CD artwork is nice but at the end of the day the most important piece of information you can provide is when and where you’re playing a gig. Sounds simple right? Every time you play a gig, you are slowly building up you’re Fan-dom mountain as you capture new fans. Your Fan-dom Mountain is painfully slow to build, but it does build and the key to this growth is around how you get the word out about new shows. Building a connection to your fans is critical and when and how you announce your tour dates leads me to my discussion today around the very cool ArtistData.com website.

artistdata_21
Many years ago, prior to AmericanaRoots.com, I had an idea which turned into a massive project. The idea was around centralizing tour dates so that you post your event once and it automatically shows up where ever you want it to. This idea was turned into TOURdatabase.com. It was a revolutionary idea (so I thought) but conveying its purpose to musicians was a little more challenging than I thought it would be. We had about 80 bands on the service however after my shift into AmericanaRoots.com, I decided to kill TOURdatabase.com. A year ago, I stumbled upon ArtistData.com which answers many of the same problems I was trying to back in 2003 however these guys do it much better! ArtistData.com is a full featured and wonderfully presented tool for musicians to manage their tour dates. These guys took posting tour dates online to a whole new level. Their tool is simple to use and amazingly powerful. The premise is you login to your band account on ArtistData.com and post your event. In the background, ArtistData.com will not only deliver your event to your website instantly but it also pushes it out to all of the major social media and calendar sites like: Facebook, Twitter, ReverbNation, Eventful, BandsInTown, PureVolume, Jambase and a handful of others. You enter the tour date once, it broadcasts it out to all of these sites in one click. It’s riducously simple but is key to building your band’s online presence.

For the time being, I believe ArtistData.com is free to use but will eventually turn into some type of pay model.

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Shooter Jennings Greatest Hits — Really?

Category : Blog

9499245-9499248-slarge-1Forgive my rant but… I received an e-mail yesterday announcing the release of Shooter Jennings’ new Greatest Hit album entitled “Black Magik: the Best of Shooter Jennings and the .357’s“. I first thought this was some kind of joke but sure enough the e-mail contained a full bio and link to iTunes. First off, you can’t technically release a greatest hits album when you only have three full studio albums. Sure there isn’t a written rule but come on, really? The whole premise of greatest hits assumes hits over the span on decades, not four years. I enjoyed Shooter’s debut album “Put the O back in country” but everything since has been a disappointment for my tastes however in the new world of music, greatest hits mean nothing anymore. It is way to easy to pick your own personal greatest hits yourself. I’ll chalk this up as a marketing tactic to sell albums on as he joins the Warped Tour shows this summer. Thoughts?

SXSW – Thursday

Category : Blog

Given my previous history with SXSW, Thursday is built for the Americana Music Association showcase at Antone’s. This year had a ton of hype in the local press since they were doing a tribute to the great Doug Sahm. We landed over at Antone’s about 45 minutes ahead of the start time to ensure we could get in. I never pick up wristbands/badges for SXSW since I’ve never had an issue getting into shows. This year was a bit different! The line for un-badged people wrapped around the building. The way it works at SXSW is if you have a badge, you get priority over everyone else. We made it to the front door as they told us “We’re at capacity” and keep in mind this is 15 minutes before the first band even came on stage. We got in the doors about 30-45 minutes later, so it wasn’t a big issue.

As far as the show goes, this night was amazing. The Doug Sahm tribute lived up to the hype! The show featured artists like Jimmie Vaughn, Sarah Borges, Dave Alvin as well as the Texas Tornadoes playing for a full hour. The stage was led by Doug Sahm’s son, Shaun Saum. Out of all these artists, I’d have to say Sarah Borges knocked it out of the park with her two covers of Doug’s work. The Texas Tornadoes lit the stage up as well with a full cast of amazing musicians including Augie Meyers and Flaco Jimenz!!! That was a real treat. They mentioned they would be doing some tours later this year, so keep an eye out.

At 10PM, the official SXSW showcase started up with Carrie Rodriguez taking stage. I’ve been on the record since the start of how much I dig Carrie although over the years have felt she never transformed her energy of her first album to her live show. That all changed with this show. Carrie was on a mission and brought energy coupled with some damn fine musicians. I’m not much on fashion but Carrie looked great ;-)

At 11PM, Justin Townes Earle took the stage. Originally this slot was for Buddy Miller however for obvious reasons he didn’t make it down to Austin this year. Justin Townes took the stage with his sideman Corey (I think that’s his name?) and put on my favorite set of the night. These two commanded the stage and Justin has come into his own with such a unique style that harps back to the original Hank Williams. I can’t get enough of this sound and Justin’s humor really ties the performance together.

At Midnight, Raul Malo took the stage fresh off his Jay Leno performance last week. Let me preface this with the fact that I was a huge Mavericks fan. The past few years, I’ve seen Raul dress up in suits and belt out slow songs with his wonderful voice. The slow stuff is what I can never get into but luckily this show. Luckily, Raul obviously heard me :-) This show was upbeat and a lot of fun to be a part of. He played a few Mavericks songs along with some tunes off his new album “Lucky One” which is just my style. The whole vibe had a pulp fiction feel to it with all the ladies dancing which was pretty cool.

At 1AM, my boys The Band of Heathens, took the stage. This group of guys have worked so hard over the past few years and deserved to close out this tremendous night of music. The guys were dead on with their tremendous harmonies and full sound. It was the first time I’ve seen them with a dedicated organ/keyboard player which enhanced the sound even more than it already is. The Band of Heathens took “Best Band of the Year” last year at SXSW and have played our past three AmericanaRoots.com showcases. Obviously, I’m a huge fan of these guys and have yet to see a show that disappoints.

Overall, another stellar night at South By Southwest although tonight we will top it with our Friday night AmericanaRoots.com/Galleywinter.com showcase at Waterloo Ice House :-) I am so ready for our show which includes Two Tons of Steel, The Doc Marshalls, Jason Eady, Scott Miller, Wrinkle Neck Mules, Modern Day Drifters and the Josh Grider Trio. Come on out and enjoy some great music!! It’s free and they have a great beer garden setup out front.

SXSW – Wednesday Recap

Category : Blog

My anticipation for SXSW seems to always kick into high gear around February, so when I finally get to Austin it’s like a kid in a candy shop for me. Wednesday, the start of the music portion of SXSW, was everything I thought it would be and more. I arrived in Austin around 1PM and started my day off at the Guitartown/Conqueroo party over at Fado’s Irish Pub. I’ve been going to this party for years and somehow it continues to grow. The lists of artists that play this show is mind boggling! It’s 12 hours of straight music from some of the big names in music including: The Silos, Raul Malo, James McMurtry, Scott Miller, Chip Robinson and so many more.

1PM Fado’s
I caught a few shows in the early afternoon including a great set with Bukka Allen (including Gurf Morlix on guitar). I have been a long time fan of Bukka since his B3 Hammond work with Ian Moore back in the Steamboat days. I enjoyed seeing Bukka lead the show as he’s got a great voice.

3PM Paradise
I walked over to a venue called Paradise off of 6th street to catch the Canada band The Deep Dark Woods. These guys were recommended to me from a conversation I had with the Sumner Brothers (another great band up in Canada). I really enjoyed The Deep Dark Woods sound. It’s one to check out on iTunes. The venue was great as well especially with free Rolling Rock ;-)

4PM Opal Devines
PR guru Pigeon O’Brien hosts a showcase every year out at Opals and it’s one that I always look forward too. Pigeon had a great line-up this year and I was able to catch Jimmy Baldwin, porterdavis and Gurf Morlix. I had a chance to talk with Gurf for a bit and learned that he produced the first studio album for the band porterdavis. Prior to this showcase, I’d never heard of porterdavis but this was one of my top bands for Wednesday. porterdavis is a 3 piece roots rock band which took three awards at the Austin Music Awards this year (including best Roots Rock Band and best drummer). Let me just say these guys were fantastic! Following porterdavis, Gurf took the stage which is always a treat.

5PM Paradise
Who hasn’t heard of Justin Townes Earle? It was one year ago that I met Justin out at our showcase at SXSW. I had no clue about his music but let’s just say 2008 was a great year for Justin. He took the music scene by storm with his “Hard Livin’” debut cd. Justin has just released his follow-up album and was down in Austin to spread the word. He put on a great set, the crowd was bumping.

6PM Fado’s
I headed back to Fado’s to catch a few shows and hook up with some friends of mine (Larry & Heather). Larry runs the music blog hickorywind.org and also recently launched a service which we use here on AR called ReviewShine.com. We caught Chip Robinson who lit the stage on fire followed by The Silos (including Jon Dee Graham). The Silos rocked an amazing 45 minute set complete with 3 electric guitars, a keyboard, drums and bass. Jon Dee Graham brought a completly different vibe to the set which I think amazed the band and entire crowd ;-) At the end of the set, I was convinced he was going to light his guitar on fire to cap off the show. It was a memorable set!
After The Silos, we caught one of my favorites Scott Miller perform acoustically in Fado’s. The inside PA system blew up (literally) but Scott did a fantastic job of keeping the crowd engaged. I’m really looking forward to seeing him at our showcase this Friday at Waterloo Ice House.

8PMWaterloo Ice House
To finish off the night, I went over to Waterloo for the Palo Duro Showcase. This is a guarantee’d good time every year. This show included Darryl Lee Rush, Two Tons of Steel, Walt Wilkins and more. The highlight for me was Two Tons of Steel. This shouldn’t suprise anyone as the lead singer is my uncle but let me just say these guys are possessed with the ability to entertain any audience. They are built for live shows and after 13 years of watching them live they somehow continue to get better and literally explode on stage. It was a lot of fun!

So that’s my day for Wednesday! More to come from Thursday’s events.

The Nighthawks- American Landscape

Category : Music, Reviews

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Its safe to say that The Nighthawks have been around long enough to have seen quite a few changes in the American Landscape. The band was founded in DC by guitarist Jimmy Thackery and vocalist/harp player Mark Wenner way back in 1972. Their history is way too extensive to cite here, but is very well documented on the band’s thorough website www.thenighthawks.com.  Three of the four members of the band have been playing together for 30 years (Thackery left the band in 1986 for a solo career). The present incarnation includes Mark Wenner, longtime drummer Pete Ragusa,  guitarist Paul Bell (whose history with the band goes back to 1975) , and Johnny Castle on bass.  One thing has been consistent through all the years and over 20 albums-the band has always tried to set the blues bar (or should I say the blues ‘12 bar’ ) high!

Recent touring allowed the band test tunes and eventually pick the road tested ones that made it onto the new disc.  The band openly payshomage to the blues greats before them; evidence- the bands namesake Robert Nighthawk. The band has played and covered many tunes by the ‘greats’. Early on the band was a frequent opener for Muddy Waters and James Cotton in DC and the band cites them as their biggest influences.  That being said, the new disc branches out a bit more here actually offering not one, but two Dylan tunes, She Belongs To Me and You Go Your Way, as well as one of Tom Waits’ best, Down In The Hole. The originals on the disc are provided by bassist Johnny Castle, including my favorite track on the disc Where Do You Go which asks “Where do you go when you go where you go without me?”  What a classic line! The disc also includes Ike Turner’s Matchbox, Sam and Dave’s Don’t Turn Your Heater Down, and ends up with a jumping acoustic version of the theme from the Andy Griffith Show. How’s that for an eclectic collection of great stuff, all cooked up and served hot with the Nighthawks own bluesy spice added!

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