Recorded live at the Nashville blues club The Place on Second Street on May 9, 2007, just one day before he walked away with the two big prizes from the Blues Music Association, Benoit is joined on stage by Louisiana’s Leroux along with a string of special guests including Kim Wilson of the Fabulous Thunderbirds, Jimmy Hall of Wet Willie, Waylon Thibodeaux on fiddle, and Jumpin’ Johnny Sansone on accordion. Even Americana stalwart and Nashville resident Jim Lauderdale manages to jump on stage to add a country flavor to the blues proceedings.
From start to finish Night Train to Nashville blows through eleven great tracks that touch on a range of styles and influences, stretching from the swamps of Louisiana to the blues clubs of Chicago. Benoit even manages just to throw in just a touch of twang for the Nashville audience, especially on “Moon Comin’ Over the Hill,” which also happens to be the sole track featuring the added vocal appearance by Lauderdale.
No one track is to be overlooked but if you want to jump right into the album’s finer moments then you have to check out the soulful, straight-ahead blues found on “Darkness,” which happens to feature Benoit’s stand-out performance as a vocalist as he digs down deep to find both passion and power. The albums other high point is one of those dirty, sweaty, moaning blues numbers as Wet Willie’s Jimmie Hall adds vocals and a wailing harmonica to “Muddy Bottom Blues.” But if in the end you’re just looking to cut loose and boogie then head back to beginning for the lead off track “Night Train” which invites you to hit the dance floor with it swaying, pounding rhythm.
At its heart, Night Train to Nashville captures Tab Benoit on a very special evening that is in many ways unlike any of his live shows. Joined by a collection of friends and blues legends, this record pays tribute to the years of hard-work and constant touring that have gotten Tab Benoit to this pivotal point in his career while providiing a small snapshot of the greatness that is sure to come in the years ahead.
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