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2008 April | Americana Roots - Part 2

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The Farewell Drifters-My Favorite 2010 CD So Far If the year ended today my favorite cd of the year would be Yellow Tag Mondays, the national debut cd by The Farewell Drifters.  A couple of months ago I was lucky enough to be in Arlington Virginia...

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Rose's Pawn Shop - Dancing On The Gallows Blending genres of music has become much more common today, with mixed results. Why should we even attempt to categorize all music? Breaking free of these unnecessary habits and allowing the music to speak...

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YARN- Come On In One of the best young bands in the country is out with another new disc; it's a good day in the United States of Americana! Brooklyn's own YARN is releasing their third cd, Come On In.  This comes following...

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Andrew Combs Debut Release Titled Tennessee Time One look at 23 year old Andrew Combs’ musical influences will certainly open many eyes. He lists Guy Clark, Hank Williams, Willie Nelson, Harlan Howard, Hank Cochran, and Townes Van Zandt as among those...

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The Jayhawks Long Awaited CD Release It has been a somewhat slow early spring for music releases thus far, but that is about to change. For the first time on CD, the self-titled debut album from the highly-acclaimed, alt-country pioneers...

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BoDeans – Still

Category : Reviews

The new CD continues their tradition of good straight-ahead Americana music. Other than the strange and moody (and somewhat out of place) opener “Pretty Ghost” the tunes follow their recipe of strong guitars, vocal harmonies and catchy lyrics and beat. As with most Americana CDs this one also has a tune named after a woman, “Lucille” in this case (not a Little Richard cover) and is one of the strongest tunes on the disc. My favorite tune on the CD is “Wonder Wonder” about afterthoughts following a breakup:

Well I saw her on a Tuesday, It was boy oh boy you’re gonna lose day…

We went together for a long time; we accused each other of the wrong crime..

I wonder if I’m gonna wonder for the rest of my days?

How long will I wonder, does it ever go away?

If the radio actually played any good music, this song would be a sure hit for the band. For the project the band brought in star producer T-Bone Burnett who also produced their debut CD Love & Hope & Sex & Dreams way back in 1986.  The music sounds as fresh as ever and The BoDeans really show no signs of slowing down! For a taste of what one of their energetic live performances is like, I also recommend Homebrewed, Live at the Pabst from 2005.

Mark McKinney

Category : Reviews

Anyhow, when it’s a musician, given time, I listen to a song or two to see it is suits my fancy. Mark McKinney’s songs immediately captured my attention. The music was loud with a rough edge in the mold of the better southern rock bands but the lyrics reminded me of John Mellencamp. Rooted in real soil.

I noticed Mark lives in Austin but was raised in Big Spring, just down the road from my place of birth. There ain’t a hell of a lot to do in a place like Big Spring. On a Friday night there’s football, but Big Spring always gets its ass kicked, having the misfortune of sharing the same district with Odessa Permian, Midland Lee, and a few other perennial powerhouses. Stinking-ass oil refineries with lots of lights and plumes of billowing smoke pollute already desolate countryside and there’s not much to be had in the way of entertainment in the town itself. It’s no small wonder that a bright young man like Mark McKinney would want to liven up the place.

A year or so later I noticed Mark was playing down the road from me at the River Road Icehouse. Leah was out of town. I was bored and alone so I decided to catch his show.

Mark has a full band, complete with lights and smoke—not one but two lead guitar players—both of which have chops, a red-headed cousin playing the bass and a good drummer to back the band. The sound is good, the energy high, the visual aspect of the band fun to watch.

Mark played songs he wrote, aside from one very good cover of Mellencamp’s Authority Song, which I think pretty much sums up the attitude of Mark and his band. These are the boys pushing the limits of the law, yet rooted in working class goodness: farmers, construction workers, oil filed workers and general laborers who love their country, love their families, work hard at jobs five days a week but then take the time to have fun on the weekend.

I bought Get It On, the band’s only CD and listened on the way home. It delivers. Later I contacted Mark via his MySpace page and he scratched out this bio. Note that this is done on the fly without spell check. Obviously, the boy can write:

I was born in Big Spring in 1973, grew up in the same old rock house on 10 acres that my dad was born and raised in, built by my grandfather. Started my first band with my older brother Eric, who still plays lead guitar for me, when we were in 6th and 8th grade. Recruited Rob Dennis as my drummer who quickly became my best friend. Played all through high school all over Midland, Odessa in rough bars while we were only 14 or 16 with my Dad there to take up the slack, haha.. Graduated half a year early from high school to head down to Austin to get into a real music scene. Had falling for a beautiful girl in high school, that I had to leave behind while she finished 2 more years of time at BSHS. We had a 2 year long distance relationship, lots of letters and speeding tickets making that long drive, she finally moved to Austin and we married in Wimberly in 1995. We are still together and have 2 kiddos, a little boy 4, named Jagger Lee, and a 1 year old beautiful girl named Cypress Grace. Well my buddy Rob moved up to Nashville, where he has done very well. My brother and me played in several bands in Austin, one called the McKinney Brother Band, we shared a drummer with Kevin Fowler and his band “Thunder Foot”, an old buddy of Kevins from Amarillo, Me and my brother Eric dig lots of giggin around. Then formed a band in 2000 called the Cosmic Cowboys, with my old buddy Rob back on drums. We went back and forth from Austin to Nashville. Cut an album for Virgin Nashville that never came out as they closed their doors. Stopped playing for a few years and worked on my song writing. During all this music stuff, I had to work to make real money. I always worked for myself, I did construction, built decks, painting, hung sheet rock, etc…, paid the bills to support my music habit.

These days I do some work in Real Estate on the side for an Investment Co, helping them locate little homes to sell owner finance. Just got my Real Estate License.

Rob and I got Excited about some of the songs I had written and we made this album, “get it on” I was really ready to make the hardest push at this I had ever made in my life. I put together my band, calling on my brother and my cousin Ryan Coggin to play bass, he played bass in Cosmic Cowboys…

Have had lots of good things happen this first year and a half…

Ask any questions you want, I just ran into my office to escape the hollerin kids for a moment, and just started typing to ya, guess I felt like writing a little…

Word of warning: if you don’t like your music loud, buy a set of earplugs on the way to the show. I didn’t. It rained that night so the show was forced inside and I paid the price. Nevertheless, I’m glad I did.

Mark McKinney and his band is one of the bright new bands out there. Check him out if he comes your way. 

Kathy Mattea – Coal

Category : Reviews

Masterfully produced by Marty Stuart, who also contributes mandolin, acoustic guitar, and harmonies, this CD is a compilation of some of the best written songs about the coal mining culture. Patty Loveless, Stuart Duncan, Byron House, Bill Cooley, along with Tim and Mollie O’Brien all provide exceptional assistance here as well.

The vocal abilities required to properly convey this style of music was entirely new to Mattea. To her credit, she does a remarkable job. The bare string backwoods musical arrangement by Stuart accentuates Mattea superbly.

The album opens with two songs written by Jean Ritchie, “The L&N Don’t Stop Here Anymore” and “Blue Diamond Mines.” Both songs portray the physical and economic changes that throttled the coal mining communities. The sparse instrumentals and harmonies illustrate the desperation very well.

Mattea does a phenomenal job with “Red Winged Blackbird,” written by Billy Edd Wheeler. Her vocals carry a delicate guitar and fiddle arrangement, allowing the words to paint a mesmerizing dark picture of the sadness of coal mining tragedies. Wheeler also composed “Coal Tattoo” that appears on the CD. It is a metaphoric look at how the coal can get under a miners skin.

Mattea and Stuart shine best with Darrell Scott’s captivating “You’ll Never Leave Harlan Alive,” Merle Travis’ gripping “Dark As A Dungeon,” and Hazel Dickens’ riveting “Black Lung.” The strong vocals are accentuated by the bare arrangements, again allowing the profound lyrics to not be over-shadowed. After a brief instrumental opening on “Black Lung,” Mattea sings this chilling song a cappella, an elegant choice.

Although the material on the CD is dark, and quite poignant at times, it is the delivery which captures you. Stuart does a tremendous production job, allowing Mattea’s strong vocals to pay this emotional tribute.

South Austin Jug Band – Strange Invitation

Category : Reviews

Strange Invitation is the third release from the Austin trio, although for this CD the band headed north to New York City and imprisoned themselves at the famed Chelsea Hotel for inspiration and to write the new tunes. Leader Hyland says of the experience “New York’s such a great place, because if you’re stale, you just go outside. You can find inspiration anywhere in that city. If you can’t, you just cut your head off.” (I wonder if he ran into new NYC resident Steve Earle out on the street.)

The CD kicks off with a lively opener, “Come to Me,” one of the standouts on the disc and the tale of a guy only occasionally lucky in love:

“Love, it don’t show up till my eyes have looked away.  I’ve traveled all alone so long, there’s been nobody to betray.”

Fiddle, mandolin and banjo give a bit of the bluegrass influence you might expect from a “jug-band” throughout, but this certainly isn’t strictly bluegrass. When pressed, the band describes they’re sound as “progressive-acoustic”. We’re treated to two stellar instrumentals on the disc, “Trek of Beandip Perkins” and “Po Boys in the Glovebox,” which shoot mandolin and fiddle back and forth throughout. Great tracks. Hyland’s voice is soft, but emotional. No twang or backwoods sound to his voice. The CD’s title is derived from the only cover tune on the CD and another highlight, “Jackass,” by Beck. The words are simple, yet some digging is often required to derive the deeper meaning. For instance, Theo van Gogh’s devotion to his brother Vincent is hidden in the simple words of “Wheatfield with Crows:”

“I know you’ll amaze me, I know you’ll amaze me.  I never thought you were crazy..”

If you are already a fan of the band you won’t be disappointed by their latest effort! If you’re not familiar with them or have been scared off by the name then by all means accept the band’s Strange Invitation. You will enjoy yourself!

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