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2008 February | Americana Roots

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Drew Kennedy - Alone, But Not Lonely (Live) (Free Download) There is something warm and soothing about live acoustic music. It allows the singer to paint a picture with his lyrics with amazing clarity and passion. When you combine well written lyrics along with...

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Tom Savage Trio- The County Line Kingston, Ontario's Tom Savage fourth studio album called The County Line recently founds its way to my ears.  Even though it is a 2008 release it deserves your attention if you haven't heard it. ...

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Marley's Ghost - Ghost Town Ever ask yourself what has happened to real music as you search your radio dial….looking for anything that sounds appealing? The music is still out there, you just need to look in the right places. Some...

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Jeremy Porter - Party of One After listening to “Party of One,” Jeremy Porter’s debut solo CD, it’s easy to see what makes Americana music a deeper listen than pure Pop. Both genres share the synthesis of multiple source genres,...

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Drunk On Crutches - People.Places.Things. Have you ever decided to listen to new CD, not knowing what to expect? Sure you have. And when the first song starts, you are not only surprised, but ready to hear what’s next? Well, that’s what happened...

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The Belleville Outfit – Wanderin

Category : Reviews

The music is a mix of acoustic Americana, big band jazz and twangy-swing that mixes the members Appalachian roots with the traditional music of New Orleans, a bit like The Squirrel Nut Zippers. Their sound is tight and fresh, hardly what you would expect from a group that wasn’t even together one year ago! The band consists of Rob Teter (guitar, vocals), Connor Forsyth (piano), Jonathan Konya (drums, vocals), Jeff Brown (bass, vocals), Marshall Hood (guitar, vocals) and Phoebe Hunt (violin, vocals).
The CD starts off with a great tune, “Somebody Like You,” a very well written song lyrically and musically about someone lost in life.

Its easy to feel lost, when you’re hanging by the end of a string

Hanging on everything. But I’m never gonna know where I’m going,

I’m a stranger to myself, a stranger in need of some help,

Cause if I lost it all, lost everything I knew

I’d want to love someone like you
The next cut, “Caroline” is a bouncy western swing tune featuring some great piano work by Connor Forsyth. One constant highlight throughout the disc is Phoebe Hunt’s violin. It adds bounce to some tunes and melancholy background to others. She also contributes one of the best tunes on the disc, “Wonder Why” which also features her on lead vocal. This is a bouncy show-type tune with some great piano and guitar breaks in the middle. This music isn’t simple three-chord pop. These are well written and complex tunes musically featuring some of the best playing you’re likely to hear! How they have been able to develop such a tight sound this quickly is a testament to the bands talent. “Ease My Mind” is a ballad sung beautifully by Rob and harmonized by Phoebe, backed by soft violin and acoustic guitar. “Tell Her For Me When I’m Gone” is another lively swing style song and one of the faster tunes on the CD. Whatever your favorite spice is in the Americana stew you’re likely to find it here.  If you like swing type music this disc is a must have. It’s an early entry into my favorites of 2008 club! You can check out the band at www.BellvilleOutfit.com.

Buzz Cason – Hats Off To Hank

Category : Reviews

His new CD entitled Hats Off To Hank is a great blend of country, blues, and driving southern rock. With a plentiful 15 songs, all written by Cason, this CD is sure to keep your attention throughout. There are no throwaways here.
Enhanced by an outstanding array of talented musicians (there are 12 different musicians credited on the CD), Cason’s gravely voice captures you right from the start with the first cut “Hey Now.” The intro, which includes a driving drum and guitar, is just a precursor of what is to come. The instrumentals do a great job in each song of enhancing the simplicity of Cason’s lyrics.
The CD includes some great blues songs as well, including “Ain’t Nobody” and “Black Man in Mississippi.” Each of these is permeated with a heavy base and guitar. Cason shines when his voice is allowed to roll with the base line.
Of course, Cason allows his southern Texas ties to breathe as well. “Texas Wildflower” is a song in which Cason salutes a large number of Texas musicians, all while traveling cross country with a true love, and gladly blowing all is money in bars. “Barbeque” is a comical look at the southern lifestyle, and of course the wonderful food.
In a final salute to his heroes, Cason includes the title cut in the last song. It is a country song, in tribute to the person who laid the groundwork for his own songwriting career. He thanks Hank Williams Sr. as the one who showed him what was possible.
Cason does an outstanding job with this CD. The music is timeless. One wonders why he decided to wait between releases. We can certainly hope this is a new beginning for him, and there are many more songs in his arsenal.

Carrie Newcomer – The Geography of Light

Category : Reviews

Carrie is joined on this new recording by Gary Walters on piano, Chris Wagoner on violin, mandolin, dobro and ukulele, Mary Gaines on cello, Jeff Hedback on bass, Jim Brock on percussion, Keith Skooglund on guitar and Krista Detor on background vocals. The ear however is drawn most strongly to Carrie’s guitar and richly expressive voice. The disc starts off with “There is a Tree,” one of the tracks utilizing the cello to add some haunting mood to the tune. The cello compliments Carrie’s voice well. Both are a bit deeper and richer; the cello than the violin, and Carrie’s voice compared to most female singers. I’d compare her to jazz singer Cassandra Wilson vocally. Her songs are lyrically strong, demonstrated in this tune by the line “I’m the fool whose life’s been spent between what’s said and what is meant.”

Many of the tunes start off softly and pick up speed along the way. “Geodes” in an interesting song and basically sums up Carrie’s outlook on things. She says, “my home in Southern Indiana is…abundant in limestone and the mysterious rocks called geodes…I am fascinated by these unassuming brown and grey stones that contain inside them a sparkling center of quartz crystals. They are surprisingly beautiful and a wonderful metaphor. They remind me to look deeper because often within what may seem ordinary is a core of beauty and mystery.” Strings add subtly to most songs, although I would have preferred “Geodes” without the full sounding string section, which seemed to overpower the song. She flavors other songs with harmonica or organ, such as “Where You Been” which fits better the Americana tag. She touches religion occasionally, sometimes with a touch of humor as in the tune “Where You Been,” singing:

I saw Jesus talking shop, with Buddha at the Starbucks…

and Mohammed was throwing popcorn to the pigeons and the sparrows

and all us crazy holy hungry ones still believe in something better.
The CD ends on a high note with the very funny tune “Don’t Push Send,” which anyone with a computer should listen to.

The day was tough, the week had really been somethin

Jane got a message that pushed her buttons

She shot back as if her words were guns

Capitalizing every single one

She should have waited, she should know

E-mail doesn’t mix with merlot

She had to write back as you could guess

Plead e-mail recklessness and PMS

Don’t push send, don’t push send, there are things you just can’t amend

I tell myself again and again, don’t push send!
Carrie’s songs should be a pre-requisite in any songwriting course. The Geography of Light showcases one of the top singer-songwriters around at the top of her game. Check her out! Her website is www.carrienewcomer.com.

Paul Thorn is a Long Way From Tupelo

Category : Features

Thorn grew up the son of a Pentecostal preacher in Tupelo, Mississippi, and began to sharpen his abilities to perform in front of others in church at the tender age of 3. Enjoying this attention, Thorn branched out and initially launched his career in boxing. It was after his fight with the immortal Roberto Duran that he felt getting hit in the face was not for him.
In 1997, Thorn launched a music career that was slow going at first. After some growing pains, and learning experiences, Thorn has begun his ascent toward the mountaintop. Touring with such greats as John Prine he has captured his own following, which is growing immensely each year. Releasing his newest CD entitled Long Way From Tupelo on his own aptly named Perpetual Obscurity label, Thorn is sure to reach new heights, and more fans.
He took some time from his busy schedule to sit down with me to discuss his thoughts and new CD.
AR – You just got back from a cruise with Delbert McClinton, Fred Eaglesmith, and others on Delbert’s Sandy Beaches Cruise. How was that?
PT – Yes, I did. This was my third time to do it. I was able to take my whole family with me, and we all had a ball. I did not have to play a lot, so it was more like a vacation for me. I was able to hang out with some other artists that I admire too. Raul Malo (former lead singer for the Mavericks) was there, along with the great Jimmy Hall (accomplished former lead singer for the Wet Willies), who is one of the best singers I have ever heard. It was wonderful.
Well, I appreciate you taking an opportunity to talk with me. Congratulations on your new CD, titled Long Way From Tupelo. This is your eight CD correct?
Yes it is. You got all eight, right?
I have seven of the eight. The only one I am missing is ‘Still No Hits.’ I have thoroughly enjoyed them all by the way.

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(laughs) Well thanks. Glad to hear it. You need to get over to our Web site and get that other CD though.
I will do that. Speaking of your Web site, http://www.paulthorn.com/, I must tell you that it is by far one of the best I have seen. It is very informative and easy to use.

Well thanks. I appreciate that.
I have attended a couple of your shows, and I know one way you utilize your Web site is through your e-mail list that you pass around at your shows. Can you tell me a bit about that?
Yes, we try to get a list of people that are familiar with me and my music, which attend my shows, and keep them informed when I come back in their area. That way, they tell a friend, and maybe they will come to our show next time too. Hopefully, our crowds get bigger instead of smaller, so I can bring the whole band.
Your Web site is offered a special pre-order package on your new CD, which includes a live bonus CD. How is that going?
To be honest, we are stunned. It has gone really well. We are just scratching our heads. It took some time. This is the age of the Internet. Building up our email list, having the Web site, touring. All those things in tandem really have paid off. It took a while, but it is a wonderful thing.
Perhaps one reason that you do not receive a lot of airplay on the radio is you can not be labeled in any one genre. Your music is a terrific blend of country, rock, folk, and blues. Have you ever considered going in one direction, if so what?
Not really, because I have had opportunities to have major record deals, but I just have never really been into it. I have seen how it works. If you get a major record deal, they basically tell you where to stand, what to wear, what to sing. You do not get to be an artist anymore. It is not real art to me. You become more an opportunist than an artist. They are just doing it to be famous. Sure, I would like to be famous. In this business, that is how you make a good living. But, I do not want to be embarrassed by my work.
I read in another interview where you once joked about being in a Wal-Mart, and seeing someone purchase a one of those popular country artists CDs and you said that was part of your problem, competing with all this music that is not real. Is that true?

I don’t have anything against the artists personally. I am sure they work hard, and do their best. It’s just that what they do, does not speak to me. They have a different demographic.

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There has been a lot of discussion recently about the use of software when recording CD’s that makes everything pitch perfect, regardless of how the person actually sounds. Is this true?
Yes, that is very true. Technology has got to the point where you could go to your corner food mart, and just pick someone at random and make them a star. They can take anyone and make them sound like Aretha Franklin. Really, that is why there is such a saturation of artists because the A&R people don’t have to dig for the real talent anymore. They just spit them out. But, the flip side of that is most of today’s artists do not have long careers, because you can only fool people for so long. When they get up somewhere, try to sing and sound terrible, people will know.
Don’t you think they should be forced to disclose if the software was used to make the CD?
(laughs) What they should do is just like on those weight loss commercials, so small that you need a magnifying glass to read it. It should say this stuff don’t work, it has not been tested by people. They clearly tell you if you can read it that this stuff is all crap.
Well, let’s talk about your new CD, Long Way From Tupelo. The thing that hit me about this CD was that all the songs seem to make a poignant statement about lessons learned in life.
(laughs) So you have actually listened to it.
Sure have. Several times in fact. The first song that I would like to ask you about is ԉ’m Still Here.ԠKnowing about your lyrical past, I was wondering where you were heading when the song starts out with your neighbor getting hit by a car and killed, but it makes a strong valid point doesn’t it?
Yes it does. There are people falling down everywhere, but you know we are still here and living. It is a true blessing to still be alive and well.

And you got Huey Lewis playing harp on this song as well. How did that come about?
Well, I have known Huey for several years. We have done a lot of shows together. On that song, we wanted a strong harmonica, and he is one of the best. So, I asked him, and he was all for it. He didn’t even charge for me for it, which was nice.
Perhaps the best rocker on the CD is the title cut, Ԍong Way From Tupelo.ԠI bet your wife really likes that one, huh?
(laughs) She hates that song, man. I told her it is all tongue in cheek. You know, I have not given her any reason at all not to trust me, which may be why I can get away with writing songs like that. But, she doesn’t care for that part about keeping a secret from my wife in the song.
So there is no true-life experience that created this song, huh?
No, no. You know what really inspired that song was when I was 12 years old I found a Hustler magazine on the side of the road while riding my bicycle. I hid it out in the woods for 3 months, going back about every day to look it over. (laughs) It was a pivotal moment in my life. The story in the song where the guy’s car breaks down and he is rescued by a girl that lives out in the middle of nowhere is actually one of the stories in that magazine.

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And it stuck with you that long, huh?
Sure did. And you know the term Ԭong way from tupeloԠmeans what people do in secret. Some people have misunderstood the title and think I am reminiscing about my wonderful hometown, but the song is not about that. It is about doing the wrong thing and trying to keep it a secret.
I thought maybe you would blame it on your friend and writing partner Billy Maddox, telling your wife that it was all Billy’s idea.
No, I wouldn’t do that. Billy is a straight up guy.
I did not realize until researching for this interview that Billy had written ԉf Heaven Ain’t A lot Like DixieԠfor Hank Williams, Jr.

Yes, he wrote that before I met him. I was 17 when I was introduced to him. He has been a huge mentor for me. He taught me how to write a song. I am 43 now, and we are still working together.
Well, he did an outstanding job. One of the things I really enjoy about your music is it has meaning, passion, and really makes you think.
Thanks man. I try to say something with each song. Not everything I might have to say is important, but I try to say something with my music.
The song ԁll About People,Ԡstarts out with a stripper. Seems like on most CD’s you have at least one song on each that mentions a stripper.

Absolutely. I don’t frequent strip clubs, but I have known several strippers. That is a very tough life. You have to deal with a lot of strange people. They put up with a lot of crap, and most of the times do not enjoy what they are doing. I have a lot of respect for someone that can deal with that.
The song ԗoman to LoveԠis a great song that really accentuates your passionate vocals. Can you tell me about that one?
You know there are 5 times more women on the face of the earth than there are men, so I got to thinking what if monogamy is wrong. What if we are supposed to have 5 women. But, in the end that will not work because it is hard to keep 5 women happy. So, I gave up on that philosophy. It is just a simple song about what every man wants deep down. They want one woman to love and one woman to love them back. It is about praying for the wrong things and then finally figuring it out.
How about the song ԃrutchesԿ
That is a song I wrote to help people with addictions, and give them some hope. It is really a sad situation when something like that happens, so I just wrote this song to give them something to hold onto.
It does a great job of that I believe. I got to tell you, my favorite song on the CD is the final cut called ԗhen the Long Road Ends.ԠI think it is you at your best, with just an acoustic guitar. It accentuates the positives in life very well.
Well, that is my favorite song as well. I appreciate you saying that. My two sisters are the ones singing background on that one too. Even though it is not the most dynamic song on the CD, it is my favorite because to me it has the most to say. Everyone should be proud of their accomplishments, and enjoy who they are. Live life to its fullest, and be able to look back proudly and smile.

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Well, your point came across very well, because that is exactly what I got out of it too. Speaking of family members, how is your daughter handling her new claim to fame with the video clip release of her singing with you recently on stage? She sounded very good.
She loves it. People have really been complimenting her, and I am very proud of her. In fact, she is going to join me again on stage next week at my show here in Tupelo.
Is that something she is considering as a possible career?
Well, she wants to sing. I have tried to stress to her to do it because you love it, but it is a very difficult thing to break through with. Go to school, get your education, and don’t rely on singing completely.
You of course had a very distinguished boxing career, highlighted with your match against Roberto Duran. You have also mentioned your love for skydiving. Are there any other hobbies you would like to share that may surprise some?
Well, I collect lunchboxes from 1970’s TV shows. I enjoy collecting things from my childhood. You know, when we were kids, we only had a couple of TV channels available to watch, and cartoons were only on Saturdays. They came on at 6am and went off at noon, and I watched every single one. So I have researched those shows, and tried to find lunchboxes for every one. It just gives me a warm feeling from my childhood, sitting in front of the TV, and eating a bowl of Sugar Smacks. It was a carefree happy time in my life
I can understand that. Do you ever reflect back on some of your past songs that you have written, and wish you had done it differently, or see where it might have been so much better if I went this way instead?
Sure I do, but I look back and think I did the best I could at that time. You know, it is like looking at your high school picture and thinking at that time you looked pretty good, but looking back at it now it looks pretty ridiculous. I am still proud of all my songs.
You should be very proud of accomplishing so much thus far.
Well thanks. You know, at least I have done something. The only thing I would regret is if I had done nothing. There are winners and losers in the world, and then there are others that just do nothing. They are just zombies walking through life. To me, that is the worst kind. There is nothing wrong with losing, if you at least tried.
So what would you like to try for the future? Any plans?
Well, I just want to continue doing the right things in life. I hope to keep my family together and happy. Music wise, I hope to continue to grow, and write more songs that I enjoy, and hopefully others such as you enjoy too. I don’t want too much.

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Have you ever considered writing a book, either about your life or as an attempt to provide help to others, much like you do with your music?
Actually, I have. I have been writing stuff down for years, and I got it all piled away. I just want to wait until my profile is a little more meaningful, because I don’t want to print a lot of books and have them sitting in my garage. In my mind, writing a book is a lot like putting out a record. If no one knows who you are, they are not going to sell. So, I want to grow a little more before I write a book, but yes I do want to do that sometime.
So what kind of music are you buying and listening to on your own?
The last record I bought was the Chipmunks Christmas record. I enjoy listening to it quite a bit. Here again, it just reminds me of my childhood. It is weird, because the stuff I listen to is really nothing like what I put out. I enjoy listening to the 80’s music a lot recently, perhaps because of my high school days. There is not much new stuff that appeals to me quite honestly.
You also enjoy traditional country. Is that right?
Absolutely. I love that too. You know, what they are calling country today is not country at all. I really don’t know what it is. It sounds like 70’s pop to me. There are a few traditional artists left like Alan Jackson, George Strait, but there are not many. It just seems like stuff that is selling millions is being bought by 14 year-old girls, you know.
That does seem to be the target doesn’t it?
Yes it does. It just is not real country anymore. I tell you something else I have been listening to quite a bit recently is Elvis Presley’s Sun Records box set. That is good stuff right there. It really has a good vibe to it.
Well, your new CD is truly a blessing. It speaks to me, and I know it will hit the mark with many others as well. I appreciate you taking time to discuss it with me.
I enjoyed it. I appreciate your interest in my music. Thanks a lot.
You can catch Paul out on the road all over the country. Check out his Web site for his tour schedule, and perhaps buy the special release for his new CD while there.. Paul will also be appearing as a guest musician on Late Night with Conan O’ Brien on Wednesday, March 19th.

Nick Lowe – Jesus of Cool 30th Anniversary Edition

Category : Reviews

By turns tuneful, brash and raw, songs of that period were best heard played live and raucous. Throughout his career Lowe’s directness of style has put him ahead, he sang what others only thought.
Lowe’s 1970s tsunami of production deposited Elvis Costello, Graham Parker, and the Robert Stigwood Organization’s one Punk Rock experiment The Damned.
Those were heady days for English talents like Ian Drury’s Blockheads, The Jam, and The Clash. Thin Lizzy covered Lowe’s songs. And Lowe worked at the center of that entire scene.
If Lowe had never married Carlene Carter and hence strummed with Johnny Cash, his place in Pop was already surely cemented. But Lowe had a country music heart and a genuine feeling for roots tradition and so went on to mine the rich mountain of American influences, a mission presaged by his earliest work in Brinsley Schwarz.
He in fact remained true to the cutting rockabilly of his co-pilot Dave Edmunds in Rockpile but while “solo,” Lowe chose masters from widely different camps, of the stature of jazz bassist Ray Brown, drummer Jim Keltner and Ry Cooder. Pop star Huey Lewis played on Lowe projects. But getting “(What’s So Funny ‘Bout) Peace, Love and Understanding” onto the soundtrack album for The Bodyguard was the best move of his life, making Lowe rich on royalties from sales of 15 million units.  Few people could embody all that and come out cogent.
But with Yep Roc label’s re-release of Jesus of Cool (as it was titled in the UK) the listener can sit back and bask in a torrent of passion – a cheek-by-jowl mix of genres. It worked because of the intelligence and humor so powerfully focused in 11 great songs. The anniversary re-release adds six more tunes and some live versions, and is also available as a double vinyl record. The man himself turns 59 on March 24.

Kit Holmes – Catch the Echo

Category : Reviews

Songs on classical guitar are generally called “pieces.” I guess the term “songs” is below the classical guitar. Anyway, the pieces, and songs, on the disc were all written by Allan Greenwood, who also plays guitar and keyboard on the disc as well as handling production duties. Pat Illingsworth plays drums and percussion and the legendary Danny Thompson adds upright bass.
The disc opens with a haunting acoustic “piece,” “Shapes in the Sand,” which leads into one of the highlights of the CD, “Happen Twice,” a beautiful catchy gem of a song that showcases the zest Kit brings. the CD is worth it for this song alone. Kit’s guitar prowess is evident on the solo acoustic numbers “My Sweet Blues,” “Before You Came,” and the title track “Catch the Echo.” Listening to this piece you’d swear there are multiple players while in reality it is just Kit and her guitar. Apparently this piece is a very popular one in her live shows.

“Said and Done” is another catchy pop relationship tune “about the things we should have done if we were gonna make it.” “Thinking About You” is really the only track that really justifies me reviewing this on an Americana website, but barely (it has guitars and drums!) This is a great collection of songs (and pieces!) performed with a great deal of energy and emotion. It took a few listens to get used to Kit’s voice, but I grew to really appreciate her hushed sultry voice. If you would like something truly different, or perhaps are a fan of Leo Kottke then definitely check out Catch the Echo, but I warn you when you see the picture of Kit on the cover, “don’t judge the CD by it’s cover,” judge it by whats inside!
Don Zelazny is a music lover who plays dentist by day.  He "listens" with his two young children, and wife Michelle in Michigan.

Ray Bonneville – Goin’ by Feel

Category : Reviews

His laid back country blues style that he calls “been dipped in blues Americana” was heavily influenced by his time is New Orleans. Of this he says “There were so many great drummers to learn groove and time from, great piano and guitar players to be influenced by, and man, the singers and horn players just made your heart go wild with excitement! This was the place that influenced me the most. It was infectious. I learned that solid, but laid back rhythm is like a tightrope on which the notes and words can do their dance.”
His passion is playing live, and frequently does so solo, so it is no surprise that the tunes on the disc are somewhat stripped down tunes highlighted by Ray’s rough voice, harmonica and percussive electric guitar style. Many of the tunes sound like he could be playing dead on covers of Bob Dylan or Tom Waits tunes yet he wrote all the tunes. Co-producer Gurf Morlix also plays bass on most of the tunes. Highlights include Ray’s ode to New Orleans “I Am The Big Easy,” and “Shy Star,” a shy, soft tune featuring mainly guitar and vocals. There is not a great deal of variety on the disc but the tunes are laid back and easy on the ears, great for a time when you just feel like kickin’ back and takin’ it easy!

Don Zelazny is a music lover who plays dentist by day.  He ‘listens’ with his two young children, and wife Michelle in Michigan.

Ralston Bowles – Carwreck Conversations

Category : Reviews

The 10 songs on the disc range from solo vocals to bluesy rockers. One thing is consistent throughout; the songs make you think. The track “You Already Knew That” (which likely inspired the CD title) is a great piece of songwriting. There’s been a wreck on his relationship highway:
Better call the wrecker darlin, there’s been an accident

Are things that we were saying the things we really meant?

The brakes were hit but too late, we felt the full impact

I’ll admit it’s not my first mistake, but you already knew that..
This is followed by the beautiful tune “What About Me,” a soft introspective tune that is wonderful in it’s simplicity, and asks some of the questions we have all asked ourselves at some time:

What about me- will I ever know romance

What about me- should I just take a chance

What about me- will I ever know a kiss

What about me- I’m really quite new at this
Not to be lulled to sleep, the next tune is a rocker, “Everybody But You,” which seems to answer some of the questions about romance in the previous song.

everybody but you, everyone but you

nobody ever treated me the way you do

please tell me what did you find

that made you want to treat me so kind?

everybody wants something from me but you
On “James Dean” Ralston shows his rock and blues side and speaks to the strange desire some of us men have to go out with a bang, not a whimper.  These are well crafted and thought out tunes, the kind that make you remove the liner notes to check the lyrics to make sure you’re getting the “whole serving” of the tunes. When I am forced to do this, I know I’m listening to a good song, not merely good music with words. Oh, the music is just fine too. “Grace” leans more toward alt-country, with mandolin and harmonica prominent. “One More Holiday” and “Draper,” which close out the CD are both nice acoustic tunes with no fluff. “Draper” gives us my favorite line on the CD, “I believe that life is more than rehearsing how to die.” Ralston Bowles obviously does not want to just sit and watch the world go by, he wants to be a part of it. He spends some of his time mentoring young singer-songwriters in Michigan. I hope they’re paying attention so I can hopefully add some more reviews from Michigan artists in the future!
Don Zelazny is a music lover who plays dentist by day.  He ‘listens’ with his two young children, and wife Michelle in Michigan.

 

Wheat Pool – Township

Category : Reviews

In the “vinyl” days the music would sometimes vary in style or speed from one side of the record to the other. This CD could have been one of those. The first part of the CD consists of tunes more on the “rock” side of the fence, while that latter (and largest) part of the CD consists more of tunes that show more country influence. Of the songs on “side 1” I liked “Geographic Center of Canada,” a lively rocker that comes at you with a wall of guitar sound . The tune laments “the ridiculous size of this country…about driving ridiculous distances just to be in the same room as the people you care about.” “Side 2” starts with the tune “Neil Young,” which appropriately starts with harmonica, but is actually about a breakup. Pedal steel is added to give even more of a country feel to “Emily Carr,” a great tune inspired by a trip to Vancouver. Emily Carr was a writer and artist who lived in this area of Canada early in late 1800’s and early 1900’s. Another standout is “Whyte Avenue” that Mike Angus wrote in 2003 following a devastating fire on Whyte Avenue in Edmonton. This area is the night-life and counterculture center of Edmonton, and hearing of the fire in his old stomping ground while living in Calgary inspired this ode to his hometown.
Township is a nice collection of tunes from a promising young band. They have been touring excessively to hone their skills playing live, so give them a listen if they come to a club near you.
Don Zelazny is a music lover who plays dentist by day.  He ‘listens’ with his two young children, and wife Michelle in Michigan.

 

Tim Carroll – The Devil Is A Busy Man

Category : Reviews

His lack of public familiarity is quite simple; His style is unique, and does not fit the established genre labels. With the popularity of satellite radio this status has changed somewhat. Since its release, Carroll’s new CD entitled The Devil Is A Busy Man, has been a permanent fixture among the top 40 requested CD’s on XM XCountry, whose primary focus is on artists who cross over genres.
The CD hits the ground running with “The Guy For The Job.” The blistering guitar sets up this one while Carroll’s lyrics tell almost a metaphoric story about what is to come, convincing the listener he can get the job done. He then follows up with “Almost There,” accompanied by Matt Combs on violin. This easy-flowing hypnotic song swings along allowing the listener to relax. The catchy chorus will have you singing along on this one.

While Carroll has you relaxing, he keeps you in the same low mood with “No Escape From Love.” Accompanied by Dave Jacques on bass, along with Tim Atwood on piano, they each help along this slow groove song, accentuating the poignant lyrics.
Now that Carroll has captivated you, he lets it rip again with the heavy rocker “Icing On The Cake” and the title cut “The Devil Is A Busy Man.” Supported on drums by Paul Griffith, these songs display the pleasing mixture of Carroll at his best: The heavy rocker, and the funky philosopher.
Carroll puts his country side on display with the humorous “Elmwood” and “Montgomery.” Both of these songs feature supporting vocals by his talented wife, singer Elizabeth Cook. “Elmwood” captures country living in a small town at its finest.
Carrolls’ writing style features cleverly written songs, adding in some wry humor, amazing guitar picking abilities and a strong supporting cast making this is driving music at its absolute best. Just pop in the CD, put the car in drive, sit back and enjoy. The time will fly by as Carrolls’ music takes you for a ride. Just remember – “Speed limit’s 40 in Elmwood.”

John Walker resides in the heartland of the US, in the great state of Indiana. An IU alum, John enjoys a variety of music genres, but prefers artists who write their own music and deliver it with passion. When not writing about his music addiction, John can be seen out spreading his love of music by singing in a band with his wife Stephanie.

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